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Contents<\>AcknowledgmentsPart I. Getting into the Groove: Approaching the Study of Electronic Dance MusicIntroductionChapter 1. The History and Creation of Electronic Dance MusicChapter 2. Conceptualizing Rhythm and Meter in Electronic Dance MusicPart II. Electronic Dance Music and Interpretive MultiplicityChapter 3. AmbiguityChapter 4. Metrical DissonancePart III. Electronic Dance Music and the EpicChapter 5. Multimeasure PatterningChapter 6. Form from the Record to the SetAfterword: Unlocking the GrooveAppendix A. Technical Issues Related to Analysis and TranscriptionAppendix B. Technical Issues Related to Field ResearchAppendix C. Transcriptions of Tracks Discussed in Chapters 5 and 6Glossary of Terms from Electronic Dance Music and Music TheoryReferencesDiscographyIndexCD Tracks1. Example 2.4a. Jeff Mills, "Jerical" (0.18)2. Example 2.4b. Jeff Mills, "Jerical" (0.10)3. Example 2.4c. Jeff Mills, "Jerical" (0.10)4. Example 2.4d. Jeff Mills, "Jerical" (0.17)5. Example 2.4e. Jeff Mills, "Jerical" (0.25)6. Example 2.8. 808 State, "Cubik (Kings County Perspective)," mm. 112 (0.28)7. Example 2.15. Plastikman, "Panikattack" (0.19)8. Example 2.17. Plastikman, "Panikattack" (1.42)9. Example 3.1. Carl Craig, "Televised Green Smoke," mm. 115 (0.19)10. Example 3.2. James Ruskin, "Connected," opening loops (0.19)11. Example 3.3. James Ruskin, "Connected," second textural combination (0.46)12. Example 3.6. Carl Craig, "Televised Green Smoke," mm. 1631 (0.19)13. Example 3.8. Kenny Larkin, "Track," opening (0.24)14. Example 3.9. Kenny Larkin, "Track" (0.18)15. Example 3.10. Kenny Larkin, "Track" (0.32)16. Example 3.11. Kenny Larkin, "Track" (0.38)17. Example 3.12. Kenny Larkin, "Track" (0.25)18. Example 4.4. Underworld, "Cups" (0.18)19. Example 4.5. Underworld, "Cups," entrance of drumbeat (0.11)20. Example 4.6. Underworld, "Cups" (0.18)21. Example 4.7. Underworld, "Cups" (0.18)22. Example 4.8. Mario Più, "Communication," mm. 93118 (0.50)23. Example 4.9. Mario Più, "Communication," mm. 11730 (0.26)24. Example 4.10. Carl Craig, "Televised Green Smoke," turning the beat around (0.24)25. Example 4.11. Kenny Larkin, "Track" (0.23)26. Example 4.17. James Ruskin, "Connected," embedded grouping dissonance (0.17)27. Example 4.19. James Ruskin, "Connected," displaced embedded grouping dissonance (0.25)28. Example 5.2. 808 State, "Cubik (Kings County Perspective)," mm. 13138 (0.19)29. Example 5.3. 808 State, "Cubik (Kings County Perspective)," mm. 1724 (0.20)30. Example 5.6. Underworld, "Cups" (0.22)31. Carl Craig, "Televised Green Smoke," complete (6.19)32. James Ruskin, "Connected," complete (5.42)33. Kenny Larkin, "Track," complete (6.50)34. Mario Più, "Communication (Mas Mix)," complete (7.17)35. Plastikman, "Panikattack," complete (8.43)36. Underworld, "Cups," complete (11.45)

The DJs, dancers, and producers of electronic dance music create expansive musical experiences centered around rhythm. This volume explores the beats and rhythms that comprise this vibrant contemporary style

Unlocking the groove : rhythm, meter, and musical design in electronic dance music