...imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the comparison of these forms ; and which, by a long habit...power of discerning what each wants in particular. By this means we acquire a just idea of beautiful forms; we correct Nature by herself, her imperfect...

...imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms; and...long, laborious comparison should \ / be the first study of the Painter who aims at the great style. / By this means he acquires a just idea of beautiful...

...imperfection. But it is not every eye th:it perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms ;...This long, laborious comparison should be the first study of the Painter who aims at the great style. By this means he acquires a just idea of beautiful...

...at greatness of style should be, according to Reynolds, the ' long laborious comparison,' which by ' observing what any set of objects of the same kind...power of discerning what each wants in particular.' The artist so prepared is ' enabled to distinguish the accidental deficiencies, excrescences, and deformities...

...will be found to have their Mi-miMlim and defects. It must be an eye long used to the comparison </ these forms, and which, by a long habit of observing what any set of ol>j«is of the same kind have in common, has acquired the power of disivming what each wants in particular....

...close examination will be found to have their blemishes and defects. It must be an eye long used to the comparison of these forms, and which, by a long habit...power of discerning what each wants in particular. By this means we acquire a just idea of beautiful forms ; we correct Nature by herself, her imperfect...

...Ancients of this superior power existing in the art; nor less conscious of its effects. I. 77 . . .; and which, by a long habit of observing what any set of objects of the same kind have in common, that alone can acquire the power of discerning what each wants in particular. *) Für faeility? II,...

...imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms ;...of discerning what each wants in particular. This Jong_ [aborious comparis_pn_shpuld be the first study of the Painter who aims at the greatest style....

...imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms ;...and which, by a long habit of observing what any set ol objects of the same kind have in common, has acquired the power of discerning what each wants in...

...imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms ;...This long laborious Comparison ^should be the first study of the painter who aims at the greatest style. By this means he acquires a just idea of beautiful...