Books and Printing; a Treasury for TypophilesGood Press, 5 nov 2021 - 420 páginas Embark on a literary journey through the world of books and printing with this curated treasury for typophiles. Edited by Paul A. Bennett, this collection brings together writings from various authors, offering insights into the art of bookmaking, paleography, and book design. A must-read for bibliophiles, this classic delves deep into the intricacies of the book industry and the timeless allure of printed words. |
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... copy, as he can already outsmart them by reproducing the first copy without limit. In one sense, we now have a press. Still, we have not explained the phenomenal rapidity with which the new technique of cutting stamps to make up a frame ...
... copy, as he can already outsmart them by reproducing the first copy without limit. In one sense, we now have a press. Still, we have not explained the phenomenal rapidity with which the new technique of cutting stamps to make up a frame ...
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... copies. In the fifteenth century, the average edition was about 300 copies. Till the middle of the eighteenth, an edition rarely exceeded 600; but there were notable exceptions. There were 34 editions of the Adagia of Erasmus, each of a ...
... copies. In the fifteenth century, the average edition was about 300 copies. Till the middle of the eighteenth, an edition rarely exceeded 600; but there were notable exceptions. There were 34 editions of the Adagia of Erasmus, each of a ...
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... copies , " " firsts " and the like ( with the inevitable quotation marks ) and filled with weighty questions of dollars and pounds - the seemingly all - important matter of the investment value of our treasures. This surely is not the.
... copies , " " firsts " and the like ( with the inevitable quotation marks ) and filled with weighty questions of dollars and pounds - the seemingly all - important matter of the investment value of our treasures. This surely is not the.
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... copy must be termed immaculate and the back of a book must be its spine, etc., etc., ad infinitum, let us start with the right premises, and hold on to the terms which were proverbial before we were born. Which brings us to our point ...
... copy must be termed immaculate and the back of a book must be its spine, etc., etc., ad infinitum, let us start with the right premises, and hold on to the terms which were proverbial before we were born. Which brings us to our point ...
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... copies, may never have come within the ken of a writer on bookish things today—even of an earnest one. But that is just ... copy of the "colophon of the Grolier Club" to add to a collection; a book-trade magazine issued an article on ...
... copies, may never have come within the ken of a writer on bookish things today—even of an earnest one. But that is just ... copy of the "colophon of the Grolier Club" to add to a collection; a book-trade magazine issued an article on ...
Índice
EDWIN ELIOTT WILLOUGHBY Printers Marks | |
THEIR FORMS AND DEVELOPMENT | |
Wroth THE FIRST WORK WITH AMERICAN TYPES | |
RONALD B McKERROW Typographic Debut | |
and | |
CHRISTOPHER SANDFORD Printing for Love | |
EDWIN GRABHORN The Fine Art of Printing | |
Stanley Morison FIRST PRINCIPLES OF TYPOGRAPHY | |
CARL PURINGTON ROLLINS American Type Designers and Their Work | |
FREDERIC W GOUDY TYPES AND TYPE DESIGN | |
ADVENTURER WITH TYPE ORNAMENT | |
SOME TENDENCIES IN MODERN TYPOGRAPHY | |
Ligatures | |
Books and Printing a Treasury | |
ANNE LYON HAIGHT Are Women the Natural Enemies of Books? | |
W A DWIGGINS EXTRACTS FROM AN INVESTIGATION INTO | |
MR MCG MR A MR L | |
COMPLAINT IN THREE | |
CLELAND Harsh Words | |
OSCAR OGG A Comparison of Calligraphy Lettering | |
EARNEST ELMO CALKINS The Book Job Print | |
G B S AND R R C 18981948 | |
PAUL A BENNETT On Type Faces For Books | |
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Términos y frases comunes
Abel Buell advertising Aldus alphabet amateur artist Baskerville beauty Bible bibliography Bodoni book-making book-seller Bruce Rogers called calligraphy capitals Caslon cast character Cockerel collector colophon contemporary copy craftsmen decoration device early edition eighteenth England English engraved essays example fact fifteenth fonts foundry Fournier Franklin French German Greeks Grolier Club Gutenberg hand illustrations important imprint interest invention Isaiah Thomas Italic Kelmscott later lower-case machine manuscript matter means modern Morris movable type Nonesuch Nonesuch Press original paper Pennsylvania Phoenician Phoenician alphabet printed books printer printer's mark private press production publisher reader Roman type seems serifs Shaw Shaw's sixteenth century Sower space specimen standards Stanley Morison style Table of Contents taste things title pages trade type design type face type founding typography volume W. A. Dwiggins William William Morris word writing