The World That Made New Orleans: From Spanish Silver to Congo SquareChicago Review Press, 1 ene 2008 - 368 páginas STRONGNamed one of the Top 10 Books of 2008 by The Times-Picayune. STRONGWinner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities.STRONG STRONGAwarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008. New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.
The World That Made New Orleans offers a new perspective on this insufficiently understood city by telling the remarkable story of New Orleans's first century--a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti. It demonstrates that New Orleans already had its own distinct personality at the time of Louisiana's statehood in 1812. By then, important roots of American music were firmly planted in its urban swamp--especially in the dances at Congo Square, where enslaved Africans and African Americans appeared en masse on Sundays to, as an 1819 visitor to the city put it, &“rock the city.&”
This book is a logical continuation of Ned Sublette's previous volume, Cuba and Its Music: From the First Drums to the Mambo, which was highly praised for its synthesis of musical, cultural, and political history. Just as that book has become a standard resource on Cuba, so too will The World That Made New Orleans long remain essential for understanding the beautiful and tragic story of this most American of cities. |
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... Sunday . In many parts of the rural , mostly Protestant nation , dancing was frowned on . But the mostly French - speaking , mostly Catholic , black - majority port city of New Orleans , proudly unassimilated into the English - speaking ...
... Sunday, students sang four-part motets and a mass, also accompanied by instruments.” 12 The conse- cration of their chapel in 1734 was accompanied by military music.13 The Ursulines' musical abilities are attested to by a manuscript ...
... Sundays , since , under pretence of Calinda or the dance , they some- times get together to the number of three or four hundred , and make a kind of Sabbath , which it is always prudent to avoid ; for it is in those tumultuous meetings ...
... Sunday dance - and - market gathering of several hundred blacks . Where did this happen ? From the beginning , blacks were segregated in New Orleans , quartered outside the city . One group of houses stood right outside the city's ...
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The World that Made New Orleans: From Spanish Silver to Congo Square Ned Sublette No hay ninguna vista previa disponible - 2008 |
The World that Made New Orleans: From Spanish Silver to Congo Square Ned Sublette No hay ninguna vista previa disponible - 2009 |