The Rest is Noise: Listening to the Twentieth Century

Fourth Estate, 2008 - 624 páginas

A sweeping musical history that goes from the salons of pre-war Vienna to Velvet Underground shows in the sixties.

In The Rest is Noise, Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini, Schoenberg, Berg and Adolf Hitler seated in the stalls, Ross suggests how this evening can be considered the century's musical watershed rather the riotous premiere of Stravinsky's Rite of Spring seven years later. Ross goes on to explore the mythology of modernism, Sibelius and the music of small countries, Kurt Weill, the music of the Third Reich, Britten, Boulez and the post-war avant-garde, and interactions between minimalist composers and rock bands in the sixties and seventies.

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Review: The Rest Is Noise: Listening to the Twentieth Century

Reseña de usuario  - Paul - Goodreads

A wonderful book for classical music fans and historians. A pretty good book for anyone who likes music or is interested in the 20th century. As someone who is unfamiliar with a great deal of ... Leer reseña completa

Review: The Rest Is Noise: Listening to the Twentieth Century

Reseña de usuario  - Sabin - Goodreads

I have to admit my relative ignorance of classical music before I read this book, also while reading it and sadly even after finishing it. Reading about music is not the same as listening to it, and a ... Leer reseña completa

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Sobre el autor (2008)

ALEX ROSS has been the music critic of The New Yorker since 1996. From 1992 to 1996 he wrote for the New York Times. His first book, The Rest is Noise: Listening to the Twentieth Century, published in 2007, was awarded The Guardian First Book Award and was shortlisted for the Pulitzer and Samuel Johnson prizes. In 2008 he became a MacArthur Fellow. A native of Washington, DC, he now lives in Manhattan.

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