The Keyboard Music of J.S. Bach
Routledge, 13 may 2013 - 544 páginas
The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world.
Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
Comentarios de usuarios - Escribir una reseña
No hemos encontrado ninguna reseña en los sitios habituales.
Appendix AWorksof Uncertain Authorship
Appendix BThe ClavierBüchlein vorAnna
Otras ediciones - Ver todo
adagio allemande andthe appoggiaturas aria arpeggiation Art of Fugue articulation asin atthe autograph Bach Bach’s bass Bminor Butthe C. P. E. Bach cadence canons chorale chords chromatic chromaticism clavichord Clavier composed composition concerto contrapuntal copy counterpoint countersubject courante dissonances dotted downbeat early version edition embellishment English Suites entries episodes Example exposition fantasia figuration Forkel French Suites Friedemann fromthe fugue BWV G Minor gigue harmonic harpsichord havebeen imitative instrument inthe Inventions Johann Johann Christoph Bach keyboard instruments later manualiter manuscript measures melodic Minor BWV minuet modulations motive movement notation notes ofBach’s onthe opening original ornaments overture Partita passage pedal pedal point phrase pieces played Prelude and Fugue recapitulation Reinken revised rhythm rhythmic ritornello sarabande Sinfonias sixteenths solo sonata sources stretto style tempo texture thatthe thefirst thefugue thelatter theme theprelude thesame thesubject threepart toccatas tonal tonic tothe variation violin voices Weimar WTC1 WTC2