The Psychology of MusicDiana Deutsch Academic Press, 29 oct 2012 - 786 páginas The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music.
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Índice
1 | |
35 | |
69 | |
4 Intervals and Scales | 107 |
5 Absolute Pitch | 141 |
6 Grouping Mechanisms in Music | 183 |
7 The Processing of Pitch Combinations | 249 |
8 Computational Models of Music Cognition | 327 |
11 Musical Development | 423 |
12 Music and Cognitive Abilities | 499 |
Insights from Congenital Amusia | 551 |
14 Brain Plasticity Induced by Musical Training | 565 |
15 Music and Emotion | 583 |
CrossSpecies and CrossCultural Studies | 647 |
Then and Now | 683 |
Author Index | 709 |
9 Structure and Interpretation of Rhythm in Music | 369 |
Movement and Coordination | 405 |
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Términos y frases comunes
ability absolute pitch Acoustical Society adults amusia AP possessors auditory stream auditory system background music beat behavior brain complex tones components computational consonance context correlates cues culture Deutsch dissonance effects emotions enhanced evidence experience Experimental Psychology Figure formant frequency function fundamental frequency harmonic human infants intervals intervening tones Journal of Experimental Juslin Krumhansl language listeners loudness McAdams melody memory meter Mozart effect music aptitude music cognition music lessons Music Perception music psychology music training musicians neural Neuroscience nonmusicians notes octave octave illusion Oxenham patterns perceived Perception & Psychophysics Peretz performance pitch class presented processing Psychology of Music Psychophysics responses rhythm rhythmic scale Schellenberg Schlaug Science semitone sequences singers singing Sloboda Society of America sound spatial spectral speech stimuli structure subjects Sundberg task temporal test tone theory timbre tion tonal tone language Trainor Trehub tritone paradox vibrato vocal voice vowels Zatorre