great mind never retrograded. Another reason for thinking that his sonnets were written after 1593, is that at that time the Sonnet was just beginning to be popular in England. There were three causes for this popularity, or rather three poets who contributed to it-Sydney, Daniel, and Drayton, whose sonnets, the reader will remember, The fashion was set by them, and Shakespeare were published in 1591, '92, and '93. was not long in adopting it. His model was Daniel, the linked sweetness of whose He commenced with "THE PASSIONversification was in harmony with his own taste. ATE PILGRIM "-admitting it to be his work, which many critics doubt-and finding his studies, so to speak, successful, tried his hand at a poetical portrait of the enigmatical Mr. W. H. As his touch became firmer and more assured, he painted himself and his Delilah. Would that we could know who she was, that dallied with the invincible What song the sirens sang, or locks of this greater than Samson! But we can not. what name Achilles assumed when he hid himself among women, though puzzling questions, are not beyond all conjecture; but Shakespeare's mistress is. Gone like a wind that blew A thousand years ago. "I fear," says Mr. Brown, at the conclusion of his dissertation on Shakespeare's sonnets, "I fear some readers may be surprised that I have not yet noticed a certain fault in Shakespeare, a glaring one- -his having a wife of his own, perhaps, at Stratford. May no persons be inclined, on this account, to condemn him with a bitterness equal to their own virtue! For myself, I confess I have not the heart to blame him at all-purely because he so keenly reproaches himself for his own sin and folly. Fascinated as he was, he did not, like other poets similarly guilty, directly, or by implication, obtrude his own passions on the world as reasonable laws. Had such been the case, he might have merited our censure, possibly our contempt. On the contrary, he condemned and subdued his fault, and may therefore be cited as a good rather than as a bad example. Should it be contended that he seems to have quitted his mistress more on account of her unworthiness than from conscientious feelings, I have nothing to answer beyond this: I will not seek after questionable motives for good actions, well knowing by experience, that when obtruded on me, they have been nothing but a nuisance to my better thoughts.” So is it not with me as with that muse, With sun and moon, with earth and sea's rich gems, O let me, true in love, but truly write, Let them say more that like of hear-say well; My glass shall not persuade me I am old, Presume not on thy heart when mine is slain; Weary with toil, I haste me to my bed, But then begins a journey in my head, To work my mind, when body's work's expired: And keep my drooping eyelids open wide, Save that my soul's imaginary sight Which, like a jewel hung in ghastly night, Makes black night beauteous, and her old face new. Lo! thus by day my limbs, by night my mind, For thee, and for myself, no quiet find. WILLIAM SHAKESPEARE. How careful was I when I took my way, That, to my use, it might unuséd stay From hands of falsehood, in sure wards of trust! From whence at pleasure thou may'st come and part; And even thence thou wilt be stolen I fear, That time of year thou may'st in me behold, As after sunset fadeth in the west, Which by and by black night doth take away, Consumed with that which it was nourished by. This thou perceiv'st, which makes thy love more strong, How like a winter hath my absence been Bearing the wanton burthen of the prime, But hope of orphans, and unfathered fruit; Or, if they sing, 'tis with so dull a cheer, From you have I been absent in the spring, That heavy Saturn laughed and leaped with him. Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew: Nor praise the deep vermilion in the rose: Yet, seemed it winter still, and, you away, The forward violet thus did I chide: Sweet thief, whence didst thou steal thy sweet that smells, If not from my love's breath? The purple pride Which on thy soft cheek for complexion dwells, More flowers I noted, yet I none could see, My mistress' eyes are nothing like the sun; But no such roses see I on her cheeks; And in some perfumes there is more delight My mistress, when she walks, treads on the ground; How oft, when thou, my music, music play'st, Upon that blessed wood whose motion sounds With thy sweet fingers, when thou gently sway'st Do I envy those jacks, that nimble leap To kiss the tender inward of thy hand, Whilst my poor lips, which should that harvest reap, Since saucy jacks so happy are in this, Thine eyes I love, and they, as pitying me, |