What to Listen for in MusicPenguin Publishing Group, 3 mar 2009 - 320 páginas Now in trade paperback: “The definitive guide to musical enjoyment” (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms. |
Índice
Fundamental FormsI Sectional Form | 107 |
Fundamental FormsII Variation Form | 119 |
Copyright McGrawHill Inc 1939 1957 | 122 |
Página de créditos | |
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What to Listen for in Music Aaron Copland,Leonard Slatkin No hay ninguna vista previa disponible - 2011 |
Términos y frases comunes
Aaron Copland allegro Arnold Schoenberg Bach Bach's bass basso ostinato Beethoven beginning Béla Bartók Cancrizans cello century chaconne character chorale chords clarinet composer composer's composition concerto grosso contemporary music contrapuntal created Debussy Deutsche Grammophon device elements emotional example expressive fact feeling flute formal mold four fugal fugal forms fugue fugue subject ground bass harmonic Haydn hear idea important instruments interpreter jazz kind later listener material means melodic line melody ment minuet modern movement Mozart musi music drama musicians nature notes oboe opera orchestra outlines passacaglia phonic piano piece of music play polyphonic poser Prelude principle program music reader recording repetition rhythm rhythmic rondo scherzo Schoenberg score sense separate sonata form sonata-allegro sound Stravinsky string quartet style symphony texture theater thematic theme thing three-part form tion tonal tone color tonic two-part form variation forms violin voices Wagner words writing written