What to Listen For in MusicPenguin, 1 feb 2011 - 304 páginas Now in trade paperback: “The definitive guide to musical enjoyment” (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms. |
Índice
Preface | |
Preliminaries | |
How We Listen | |
The Creative Process in Music | |
The Four Elements of Music Chapter 5 The Four Elements of Music Chapter 6 The Four Elements of Music Chapter 7 The Four Elements of Music | |
Musical Texture | |
Opera and Music Drama | |
Contemporary Music | |
Film Music | |
From Composer to Interpreter to Listener | |
Since Then | |
Typical Variation Formulas | |
Contrapuntal Devices | |
Analysis of Beethovens Waldstein Sonata Op 53 | |
Musical Structure | |
Fundamental Forms Chapter 11 Fundamental Forms Chapter 12 Fundamental Forms Chapter 13 Fundamental Forms Chapter 14 Fundamental For... | |
Otras ediciones - Ver todo
What to Listen for in Music Aaron Copland,Leonard Slatkin No hay ninguna vista previa disponible - 2011 |
Términos y frases comunes
Aaron Copland Arnold Schoenberg Bach Bach’s bass basso ostinato bassoon Beethoven beginning cancrizans cello century chaconne chords clarinet composer’s composition concerto grosso contemporary music contrapuntal contrapuntal device Couperin Debussy descriptive music Deutsche Grammophon development section dissonance elements emotional example exposition expressive feeling film flute formal molds fugal forms fugue fugue subject ground bass harmonic Haydn hear history of music imitation instruments interpreter jazz kind listener’s listening to music madrigal material meaning melodic line melody Milhaud minuet modern composers movement Mozart music drama musicians nature notes oboe opera passacaglia piano piece of music plane play polyphonic polyrhythms program music reader recording repetition rhythm rhythmic rondo scale scherzo Schoenberg score sectional form sense separate sonata form sound Stravinsky string quartet structure symphonic form symphony texture theater thematic theme and variations thing tonal tone color two-part form variation form violin voices Wagner woodwind words writing