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Feeling of that which is, and fancy of
That which should be, to such a recompense
Conduct? shall their bright plumage on the rough
Storm be still scattered? Yes, and it must be;
For, form'd of far too penetrable stuff,
These birds of Paradise but long to flee

Back to their native mansion, soon they find
Earth's mist with their pure pinions not agree,
And die or are degraded, for the mind

Succumbs to long infection, and despair,
And vulture passions flying close behind,
Await the moment to assail and tear;

And when at length the winged wanderers stoop,
Then is the prey-bird's triumph, then they share
The spoil, o'erpower'd at length by one fell swoop.
Yet some have been untouch'd who learn'd to bear,
Some whom no power could ever force to droop,
Who could resist themselves even, hardest care!
And task most hopeless; but some such have been,
And if my name among the number were,
That destiny austere, and yet serene,

Were prouder than more dazzling fame unblest;
The Alp's snow summit nearer heaven is seen,
Than the volcano's fierce eruptive crest,

Whose splendor from the black abyss is flung,
While the scorch'd mountain, from whose burning
A temporary torturing flame is wrung,
Shines for a night of terror, then repels

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Its fire back to the hell from whence it sprung, The hell which in its entrails ever dwells.

CANTO IV.

MANY are poets who have never penn'd
Their inspiration, and perchance the best:
They felt, and loved, and died, but would not lend
Their thoughts to meaner beings; they compress'd
The god within them, and rejoin'd the stars
Unlaurell'd upon earth, but far more blest
Than those who are degarded by the jars

Of passion, and their frailties link'd to fame,
Conquerors of high renown, but full of scars.
Many are poets, but without the name,
For what is poesy but to create
From overfeeling good or ill; and aim
At an external life beyond our fate,

And be the new Prometheus of new men,
Bestowing fire from heaven, and then, too late,
Finding the pleasure given repaid with pain,
And vultures to the heart of the bestower,
Who having lavish'd his high gift in vain,
Lies chain'd to his lone rock by the sea-shore?
So be it: we can bear.-But thus all they
Whose intellect is an o'ermastering power
Which still recoils from its incumbering clay,
Or lightens it to spirit, whatsoe'er

The form which their creations may essay,
Are bards; the kindled marble's bust may wear
More poesy upon its speaking brow,
Than aught less than the Homeric page may bear;
One noble stroke with a whole life may glow
Or deify the canvass till it shine

With beauty so surpassing all below,
That they who kneel to idols so divine

Break no commandment, for high heaven is there
Transfused, transfigurated: and the line

|Of poesy, which peoples but the air

With thought and beings of our thought reflected,
Can do no more: then let the artist share
The palm, he shares the peril, and dejected,

Faints o'er the labor unapproved-Alas!
Despair and Genius are too oft connected.
Within the ages which before me pass,

Art shall resume and equal even the sway,
Which with Apelles and old Phidias,
She held in Hellas' unforgotten day.

Ye shall be taught by Ruin to revive
The Grecian forms at least from their decay,
And Roman souls at last again shall live

In Roman works wrought by Italian hands,
And temples, loftier than the old temples, give
New wonders to the world; and while still stands
The austere Pantheon, into heaven shall soar
A dome, 12 its image, while the base expands
Into a fame surpassing all before,

Such as all flesh shall flock to kneel in: ne'er
Such sight hath been unfolded by a door
As this, to which all nations shall repair,
And lay their sins at this gate of heaven.
And the bold Architect unto whose care
The daring charge to raise it shall be given,
Whom all arts shall acknowledge as their lord,
Whether into the marble chaos driven
His chisel bid the Hebrew,13 at whose word
Israel left Egypt, stop the waves in stone,
Or hues of Hell be by his pencil pour'd
Over the damn'd before the Judgment throne,14
Such as I saw them, such as all shall see,
Or fanes be built of grandeur yet unknown,
The stream of his great thoughts shall spring from
me,15

The Ghibelline, who traversed the three realms
Which form the empire of eternity.

Amidst the clash of swords, and clang of helms,
The age which I anticipate, no less

Shall be the Age of Beauty, and while whelms
Calamity the nations with distress,

The genius of my country shall arise,
A Cedar towering o'er the Wilderness,
Lovely in all its branches to all eyes,

Fragrant as fair, and recognized afar,
Wafting its native incense through the skies.
Sovereigns shall pause amidst their sport of war,
Wean'd for an hour from blood, to turn and gaze
On canvas or on stone; and they who mar
All beauty upon earth, compell'd to praise,
Shall feel the power of that which they destroy,
And Art's mistaken gratitude shall raise

To tyrants, who but take her for a toy,

Emblems and monuments, and prostitute
Her charms to pontiffs proud,16 who but employ
The man of genius as the meanest brute

To bear a burden, and to serve a need,
To sell his labors and his soul to boot.

Who toils for nations may be poor indeed,

But free; who sweats for monarch is no more
Than the gilt chamberlain, who, clothed and
fee'd,

Stands sleek and slavish, bowing at his door.
Oh, Power that rulest and inspirest! how
Is it that they on earth, whose earthly power
Is likest thine in heaven in outward show,
Least like to thee in attributes divine,
Tread on the universal necks that bow,
And then assure us that their right are thine?

And how is it that they, the sons of fame, Whose inspiration seems to them to shine From high, they whom the nations oftest name, Must pass their days in penury or pain, Or step to grandeur through the paths of shame, And wear a deeper brand and gaudier chain? Or if their destiny be born aloof

From lowliness, or tempted thence in vain, In their own souls sustain a harder proof,

The inner war of passions deep and fierce? Florence! when thy harsh sentence razed my roof, I loved thee; but the vengeance of my verse, The hate of injuries which every year Makes greater, and accumulates my curse, Shall live, outliving all thou holdest dear,

Thy pride, thy wealth, thy freedom, and even that, The most infernal of all evils here,

The sway of petty tyrants in a state;

For such sway is not limited to kings,
And demagogues yield to them but in date,
As swept off sooner; in all deadly things

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Which make men hate themselves, and one anIn discord, cowardice, cruelty, all that springs From Death the Sin-born's incest with his mother, In rank oppression in its rudest shape,

The faction Chief is but the Sultan's brother, And the worst despot's far less human ape:

Florence! when this lone spirit, which so long Yearn'd, as the captive toiling at escape, To fly back to thee in despite of wrong, An exile, saddest of all prisoners,

Who has the whole world for a dungeon strong, Seas, mountains, and the horizon's verge for bars, Which shut him from the sole small spot of earth Where-whatsoe'er his fate-he still were hers, His country's, and might die where he had birthFlorence! when this lone spirit shall return To kindred spirits, thou wilt feel my worth, And seek to honor with an empty urn

The ashes thou shalt ne'er obtain-Alas!
"What have I done to thee, my people?" Str
Are all thy dealings, but in this they pass
The limits of man's common malice, for
All that a citizen could be I was;
Raised by thy will, all thine in peace or war,
And for this thou hast warr'd with me.-'Tis done:
I may not overleap the eternal bar
Built up between us, and will die alone,

Beholding with the dark eye of a seer
The evil days to gifted souls foreshown,
Foretelling them to those who will not hear.

As in the old time, till the hour be come [a tear, When truth shall strike their eyes through many And make them own the Prophet in his tomb.

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Che fanno in Cielo il sole e l' altre stelle Dentro di lui' si crede il Paradiso,

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4.

The dust she dooms to scatter. Page 511, line 103. "Ut si quis predictorum ullo tempore in fortiam dicti: communis pervenerit, tallis perveniens igne comburatur, sic quod moriatur."

Second sentence of Florence against Dante, and the fourteen accused with him.-The Latin is worthy of the sentence.

5.

Where yet my boys are, and that fatal she.
Page 512, line 69.

This lady, whose name was Gemma, sprung from one of the most powerful Guelf families, named of Donati. Corso Donati was the principal adversary of the Ghibellines. She is described as being "Admodum morosa, ut de Xantippe Socratis philosophi conjuge scriptum esse legimus," according to Giannozzo Manetti. But Lionardo Aretino is scandalized with Boccace, in his life of Dante, for saying that literary men should not marry. "Qui il Boccaccio non ha pazienza, e dice, le mogli esser contrarie agli studj; e non si ricorda che Socrate il più nobile filosofo che mai fosse, ebbe moglie e figliuoli e uffici della Repubblica nella sua Città; e Aristotele che, &c., &c., ebbe due mogli in varj tempi, ed ebbe figliuoli, e ricchezze assai.-E Marco

Cader tra' buoni è pur di lode degno." Sonnet of Dante, In which he represents Right, Generosity, and Temperance as banished from among men, and seeking refuge from Love, who inhabits his bosom.

Tullio e Catone-e Varrone-e Seneca-ebbero | moglie," &c., &c. It is odd that honest Lionardo's examples, with the exception of Seneca, and for any thing I know of Aristotle, are not the most felicitous. Tully's Terentia, and Socrates' Xantippe, by no means contributed to their husbands' happiness, whatever they might do to their philosophy-Cato gave away his wife-of Varro's we know nothing-and of Seneca's, only that she was disposed to die with him, but recovered, and lived several years afterwards. But says Lionardo, "L'uomo è animald civile, secondo piace a tutti i filosofi." And thence concludes that the greatest proof of the animal's civism is "la prima congiunzione, dalla quale multiplicata nasce`la Città.”

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The statue of Moses on the monument of Julius II.

SONETTO

Di Giovanni Battista Zappi.

Chi è costui, che in dura pietra scolto,
Siede gigante; e le più illustre, e conte
Prove dell' arte avvanza, e ha vive, e pronte
Le labbia si, che le parole ascolto?
Quest' è Mosé; ben me 'l diceva il folto
Onor del mento; e 'l doppio raggio in fronte,
Quest' è Mosè, quando scendea del monte,
E gran parte del Nume avea nel volto.
Tal era allor, che le sonanti, e vaste

Acque ei sospese a se d' intorno, e tale
Quando il mar chiuse, e ne fè tomba altrui
E voi sue turbe un rio vitello alzate?
Alzata aveste imago a questa eguale!
Ch' era men fallo l' adorar costui

14.

Over the damn'd before the Judgment throne. Page 515, line 94. The Last Judgment, in the Sistine chapel.

15.

The stream of his great thoughts shall spring from me Page 515, line 97.

I have read somewhere (if I do not err, for I cannot recollect where) that Dante was so great a favorite of Michael Angelo's, that he had designed the whole of the Divina Commedia; but that the volume containing these studies was lost by sea.

16.

Her charms to pontiff's proud, who but employ, &c. Page 515, line 117. See the treatment of Michael Angelo by Julius II., and his neglect by Leo X.

17.

"What have I done to thee, my people?" Page 516, line 41. "E scrisse più volte non solamente a particoları cittydini del reggimento, ma ancora al popolo, e intra l'altre una Epistola assai lunga che comincia: -Popule mi, quid feci tibi?"

Vita di Dante, scritta da Lionardo Aretino.

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And o'er her scenes of lost delight

Inhabitants more fair.

The cedars wave on Lebanon,

But Judah's statelier maids are gone.

And the voice of my mourning is o'er, And the mountains behold me no more: If the hand that I love lay me low, There cannot be pain in the blow!

More blest each palm that shades those plains And of this, oh, my Father! be sure

Than Israel's scatter'd race; For, taking root, it there remains

In solitary grace:

It cannot quit its place of birth, It will not live in other earth.

But we must wander witheringly,
In other lands to die;
And where our fathers' ashes be,
Our own may never lie:

Our temple hath not left a stone,

And Mockery sits on Salem's throne.

That the blood of thy child is as pure
As the blessing I beg ere it flow,

And the last thought that soothes me below

Though the virgins of Salem lament,
Be the judge and the hero unbent!
I have won the great battle for thee,
And my Father and Country are free!

When this blood of thy giving hath gush'd,
When the voice that thou lovest is hush'd,
Let my memory still be thy pride,
And forget not I smiled as I died!

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