Gentleman's Magazine and Historical Review, Volumen 282A. Dodd and A. Smith, 1967 The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs. |
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Página 196
... face in b . The face at the apex of the picture has a mouth closed in b , and open in a . There are variations in nearly all the grotesque faces ; and in Mr. Pickwick and Sam are fuller and more animated . general treatment of the whole ...
... face in b . The face at the apex of the picture has a mouth closed in b , and open in a . There are variations in nearly all the grotesque faces ; and in Mr. Pickwick and Sam are fuller and more animated . general treatment of the whole ...
Página 198
... face broadened and made more good - humoured . Sam's face in b is made much more like the ideal Sam ; that in a is grotesque . Perker's face and attitude are altered in 6 , where he is made more interrogative . Mr. Pickwick in b is much ...
... face broadened and made more good - humoured . Sam's face in b is made much more like the ideal Sam ; that in a is grotesque . Perker's face and attitude are altered in 6 , where he is made more interrogative . Mr. Pickwick in b is much ...
Página 200
... face of the old man is a side one , with little expression ; in b it is made three - quarters , and contorted with horror - the attitude powerfully expressive , indeed . The figures of both are worth com- paring . " The Double - bedded ...
... face of the old man is a side one , with little expression ; in b it is made three - quarters , and contorted with horror - the attitude powerfully expressive , indeed . The figures of both are worth com- paring . " The Double - bedded ...
Índice
Separate Creation By W T FREEMAN F R C | 101 |
Annam The Emperor of and his Capital By EDWARD II PARKER | 119 |
Miserere CarvingsAttempt to Preserve ThemSubjects | 208 |
Página de créditos | |
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