Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
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Página 6
... triad on the dominant and the triad on the lowered seventh degree as tonics . The sec- ond , on the other hand , shows four changes of tonal center in as many measures of rapid tempo , only to return to the original key of C. " Let us ...
... triad on the dominant and the triad on the lowered seventh degree as tonics . The sec- ond , on the other hand , shows four changes of tonal center in as many measures of rapid tempo , only to return to the original key of C. " Let us ...
Página 250
... triad . In com- bination with the upper voices , however , we find that with one exception , the triad on E , each of these bass tones serves as the root or member of a seventh chord . Thus the horizontalized triad has become the means ...
... triad . In com- bination with the upper voices , however , we find that with one exception , the triad on E , each of these bass tones serves as the root or member of a seventh chord . Thus the horizontalized triad has become the means ...
Página 376
... triad to a group of intervals that do not demonstrate either in succession or in combination the type of coherence indicative of tonality . Although the argument that the chord is a man - made and consequently artificial device is often ...
... triad to a group of intervals that do not demonstrate either in succession or in combination the type of coherence indicative of tonality . Although the argument that the chord is a man - made and consequently artificial device is often ...
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
Otras 10 secciones no se muestran.
Otras ediciones - Ver todo
Challenge to Musical Tradition - A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2007 |
Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved appears artistic ascent aspect Bach Bach's basic bass Beethoven changes character chromatic close coda coherence composers conception connection contrapuntal contrast create defined demonstrate descent development section discussion dominant early Eb major effect element embellishing emphasis entirely entrance example expanded exposition expression F minor fact figure final follows function further G major gives graph harmonic progression Haydn hear illustration important impulse indicates instances interest introduction leadings major chord material means measures mediant melodic middle voice motion motive movement nature neighbor neighbor note offers opening Opus organic original outline passage passing chords passing tone phrase possibilities preceding prelude presence principles prolongation provides quartet recapitulation regard result reveals serves seventh chord shows significance single sonata space status structural structural motion style suggests symphony technical techniques theme third tion tonality tonic top voice treatment turn various Wagner whole