Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
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Página 3
... phrases are repeti- tions of the first and second . The fifth phrase modulates to Bb through the chord C - Eb - G which is VI in the old key and II in the new . At the begin- ning of the sixth phrase , there is a transient modulation to ...
... phrases are repeti- tions of the first and second . The fifth phrase modulates to Bb through the chord C - Eb - G which is VI in the old key and II in the new . At the begin- ning of the sixth phrase , there is a transient modulation to ...
Página 105
... phrase and two phrases of three measures each . This irregularity is emphasized by the five - measure phrase that follows . The contrasting theme is also of interest , because it possesses a character and individuality seldom shown by ...
... phrase and two phrases of three measures each . This irregularity is emphasized by the five - measure phrase that follows . The contrasting theme is also of interest , because it possesses a character and individuality seldom shown by ...
Página 239
... phrase . Instead of serving as a supertonic of the Eb minor chord or as a minor dominant of the Bb major , the opening F minor chord functions as a prolonging fifth through which Wagner moves from the C major chord that concludes the ...
... phrase . Instead of serving as a supertonic of the Eb minor chord or as a minor dominant of the Bb major , the opening F minor chord functions as a prolonging fifth through which Wagner moves from the C major chord that concludes the ...
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
Otras 10 secciones no se muestran.
Otras ediciones - Ver todo
Challenge to Musical Tradition - A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2007 |
Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved appears artistic ascent aspect Bach Bach's basic bass Beethoven changes character chromatic close coda coherence composers conception connection contrapuntal contrast create defined demonstrate descent development section discussion dominant early Eb major effect element embellishing emphasis entirely entrance example expanded exposition expression F minor fact figure final follows function further G major gives graph harmonic progression Haydn hear illustration important impulse indicates instances interest introduction leadings major chord material means measures mediant melodic middle voice motion motive movement nature neighbor neighbor note offers opening Opus organic original outline passage passing chords passing tone phrase possibilities preceding prelude presence principles prolongation provides quartet recapitulation regard result reveals serves seventh chord shows significance single sonata space status structural structural motion style suggests symphony technical techniques theme third tion tonality tonic top voice treatment turn various Wagner whole