Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
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Página 3
... phrases are repeti- tions of the first and second . The fifth phrase modulates to Bb through the chord C - Eb - G which is VI in the old key and II in the new . At the begin- ning of the sixth phrase , there is a transient modulation to ...
... phrases are repeti- tions of the first and second . The fifth phrase modulates to Bb through the chord C - Eb - G which is VI in the old key and II in the new . At the begin- ning of the sixth phrase , there is a transient modulation to ...
Página 105
... phrase and two phrases of three measures each . This irregularity is emphasized by the five - measure phrase that follows . The contrasting theme is also of interest , because it possesses a character and individuality seldom shown by ...
... phrase and two phrases of three measures each . This irregularity is emphasized by the five - measure phrase that follows . The contrasting theme is also of interest , because it possesses a character and individuality seldom shown by ...
Página 239
... phrase . Instead of serving as a supertonic of the Eb minor chord or as a minor dominant of the Bb major , the opening F minor chord functions as a prolonging fifth through which Wagner moves from the C major chord that concludes the ...
... phrase . Instead of serving as a supertonic of the Eb minor chord or as a minor dominant of the Bb major , the opening F minor chord functions as a prolonging fifth through which Wagner moves from the C major chord that concludes the ...
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
Otras 10 secciones no se muestran.
Otras ediciones - Ver todo
Challenge to Musical Tradition - A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2007 |
Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved allegro applied dominant arpeggiated artistic ascent aspect augmented chord Bach's basic bass Beethoven Breitkopf and Härtel character chorale chord tones chromatic coda composers concept of tonality contrapuntal contrasting theme Debussy Debussy's defined demonstrate development section dissonance dominant chord Eb major Eb minor effect element embellishing motion emphasis entirely entrance example expanded exposition F minor fugue function G major graph harmonic progression harmonic prolongation Haydn horizontalized impulse indicates instances introduction major chord measure mediant chord melodic figure ment middle voice minuet modulation movement nature neighbor chord neighbor note octave opening measures Opus passage passing chords passing tone Philipp Emanuel Bach phrase preceding prelude principles prolonging motions quartet recapitulation regard reveals rhythmic Schönberg seventh chord shows sonata sonata form Stravinsky struc structural motion structural outline structural top voice style stylistic supertonic symphony tendencies tion tonic chord top-voice motion treatment triad voice leadings Wagner