Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
Resultados 1-3 de 69
Página 19
... Graph 7C defines the same descent of a fifth that is expanded through a different type of space - outlining motion than the one shown in graph B. Although the tones that outline the intervals G - C , B — F , C — E , and B - D are ...
... Graph 7C defines the same descent of a fifth that is expanded through a different type of space - outlining motion than the one shown in graph B. Although the tones that outline the intervals G - C , B — F , C — E , and B - D are ...
Página 20
... graph C is an illustration of one type of embellishing motion . Here the space between G of one chord and G of ... graph A shows a complete neighbor motion G - A - G and graph B two incomplete forms , G - A - F and E - F - D . EXAMPLE 9 ...
... graph C is an illustration of one type of embellishing motion . Here the space between G of one chord and G of ... graph A shows a complete neighbor motion G - A - G and graph B two incomplete forms , G - A - F and E - F - D . EXAMPLE 9 ...
Página 95
... ( graph B ) . Graph A shows that the embellishing motion on the final quarter of measure 1 is an expansion of the descending third Bb - G # , in which Bb serves as an upper and G # as a lower neighbor of A. Thus the presence of G is due ...
... ( graph B ) . Graph A shows that the embellishing motion on the final quarter of measure 1 is an expansion of the descending third Bb - G # , in which Bb serves as an upper and G # as a lower neighbor of A. Thus the presence of G is due ...
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
Otras 10 secciones no se muestran.
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Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved appears artistic ascent aspect Bach Bach's basic bass Beethoven changes character chromatic close coda coherence composers conception connection contrapuntal contrast create defined demonstrate descent development section discussion dominant early Eb major effect element embellishing emphasis entirely entrance example expanded exposition expression F minor fact figure final follows function further G major gives graph harmonic progression Haydn hear illustration important impulse indicates instances interest introduction leadings major chord material means measures mediant melodic middle voice motion motive movement nature neighbor neighbor note offers opening Opus organic original outline passage passing chords passing tone phrase possibilities preceding prelude presence principles prolongation provides quartet recapitulation regard result reveals serves seventh chord shows significance single sonata space status structural structural motion style suggests symphony technical techniques theme third tion tonality tonic top voice treatment turn various Wagner whole