Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
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Página 149
... entirely new and different purpose as well , by creating a new and personal means of expression . However , effectively as these techniques have been used in the intro- duction , they play a larger and more forceful role in the melodic ...
... entirely new and different purpose as well , by creating a new and personal means of expression . However , effectively as these techniques have been used in the intro- duction , they play a larger and more forceful role in the melodic ...
Página 167
... entirely new conception of its possibilities that is further evi- denced in a second reference to the grave in the measures immediately preceding the coda . Other innovations in the technique are the weaving together of the grave motive ...
... entirely new conception of its possibilities that is further evi- denced in a second reference to the grave in the measures immediately preceding the coda . Other innovations in the technique are the weaving together of the grave motive ...
Página 249
... entirely new . Therefore it was inevitable that Debussy should find a means of expression through which he could connote the individual and original aspects of his musical ideas . To blend the raw materials of music , the tones , as a ...
... entirely new . Therefore it was inevitable that Debussy should find a means of expression through which he could connote the individual and original aspects of his musical ideas . To blend the raw materials of music , the tones , as a ...
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
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Otras ediciones - Ver todo
Challenge to Musical Tradition - A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2007 |
Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved allegro applied dominant arpeggiated artistic ascent aspect augmented chord Bach's basic bass Beethoven Breitkopf and Härtel character chorale chord tones chromatic coda composers concept of tonality contrapuntal contrasting theme Debussy Debussy's defined demonstrate development section dissonance dominant chord Eb major Eb minor effect element embellishing motion emphasis entirely entrance example expanded exposition F minor fugue function G major graph harmonic progression harmonic prolongation Haydn horizontalized impulse indicates instances introduction major chord measure mediant chord melodic figure ment middle voice minuet modulation movement nature neighbor chord neighbor note octave opening measures Opus passage passing chords passing tone Philipp Emanuel Bach phrase preceding prelude principles prolonging motions quartet recapitulation regard reveals rhythmic Schönberg seventh chord shows sonata sonata form Stravinsky struc structural motion structural outline structural top voice style stylistic supertonic symphony tendencies tion tonic chord top-voice motion treatment triad voice leadings Wagner