Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
Resultados 1-3 de 13
Página 18
... arpeggiated tones of the fundamental chord create the spaces of an octave , a fifth and a third , within one of which every struc- tural top - voice motion occurs . In the examples that follow , the reader should understand that the ...
... arpeggiated tones of the fundamental chord create the spaces of an octave , a fifth and a third , within one of which every struc- tural top - voice motion occurs . In the examples that follow , the reader should understand that the ...
Página 152
... arpeggiated - chord figure of the first two measures and the neighbor - note figure of measures 3 and 4. Surely there is nothing new or dynamic in the use of an arpeggiated chord or a neighbor note . There are innumerable examples of ...
... arpeggiated - chord figure of the first two measures and the neighbor - note figure of measures 3 and 4. Surely there is nothing new or dynamic in the use of an arpeggiated chord or a neighbor note . There are innumerable examples of ...
Página 262
... arpeggiated B major chord , its origin seems to be of a con- trapuntal nature . We find a somewhat similar treatment of the arpeggiated tones of the C major chord . For example , G in the top voice is combined with D , a passing tone ...
... arpeggiated B major chord , its origin seems to be of a con- trapuntal nature . We find a somewhat similar treatment of the arpeggiated tones of the C major chord . For example , G in the top voice is combined with D , a passing tone ...
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
Otras 10 secciones no se muestran.
Otras ediciones - Ver todo
Challenge to Musical Tradition - A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2007 |
Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved allegro applied dominant arpeggiated artistic ascent aspect augmented chord Bach's basic bass Beethoven Breitkopf and Härtel character chorale chord tones chromatic coda composers concept of tonality contrapuntal contrasting theme Debussy Debussy's defined demonstrate development section dissonance dominant chord Eb major Eb minor effect element embellishing motion emphasis entirely entrance example expanded exposition F minor fugue function G major graph harmonic progression harmonic prolongation Haydn horizontalized impulse indicates instances introduction major chord measure mediant chord melodic figure ment middle voice minuet modulation movement nature neighbor chord neighbor note octave opening measures Opus passage passing chords passing tone Philipp Emanuel Bach phrase preceding prelude principles prolonging motions quartet recapitulation regard reveals rhythmic Schönberg seventh chord shows sonata sonata form Stravinsky struc structural motion structural outline structural top voice style stylistic supertonic symphony tendencies tion tonic chord top-voice motion treatment triad voice leadings Wagner