Challenge To Musical TraditionDa Capo Press, 21 feb 1972 - 408 páginas |
Dentro del libro
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Página 15
... ( Breitkopf and Härtel ) . ing G major chord is given a roman numeral to 15 The Concept of Tonality.
... ( Breitkopf and Härtel ) . ing G major chord is given a roman numeral to 15 The Concept of Tonality.
Página 112
... Breitkopf and Härtel Edition , Vol . IV , No. 39 ; Peters Edition , Vol . IV , No. 34 . EXAMPLE 41 23 567 89 10 11 16 17 10-10-10 112 Challenge to Musical Tradition.
... Breitkopf and Härtel Edition , Vol . IV , No. 39 ; Peters Edition , Vol . IV , No. 34 . EXAMPLE 41 23 567 89 10 11 16 17 10-10-10 112 Challenge to Musical Tradition.
Página 140
... ( Breitkopf and Härtel , Leipzig , 1878 ) , Vol . I , p . 276 . 12 Geschichte der Sinfonie und Suite ( Breitkopf and Härtel , Leipzig , 1921 ) , p . 148 . No. 2 , with its two five - measure phrases 140 Challenge to Musical Tradition.
... ( Breitkopf and Härtel , Leipzig , 1878 ) , Vol . I , p . 276 . 12 Geschichte der Sinfonie und Suite ( Breitkopf and Härtel , Leipzig , 1921 ) , p . 148 . No. 2 , with its two five - measure phrases 140 Challenge to Musical Tradition.
Índice
THE CONCEPT OF TONALITY | 1 |
Two interpretations New trends in horizontalization Function of | 2 |
JOHANN SEBASTIAN BACH | 39 |
Página de créditos | |
Otras 10 secciones no se muestran.
Otras ediciones - Ver todo
Challenge to Musical Tradition - A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2007 |
Challenge to Musical Tradition a New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 2018 |
Challenge to Musical Tradition: A New Concept of Tonality Adele T. Katz No hay ninguna vista previa disponible - 1945 |
Términos y frases comunes
achieved appears artistic ascent aspect Bach Bach's basic bass Beethoven changes character chromatic close coda coherence composers conception connection contrapuntal contrast create defined demonstrate descent development section discussion dominant early Eb major effect element embellishing emphasis entirely entrance example expanded exposition expression F minor fact figure final follows function further G major gives graph harmonic progression Haydn hear illustration important impulse indicates instances interest introduction leadings major chord material means measures mediant melodic middle voice motion motive movement nature neighbor neighbor note offers opening Opus organic original outline passage passing chords passing tone phrase possibilities preceding prelude presence principles prolongation provides quartet recapitulation regard result reveals serves seventh chord shows significance single sonata space status structural structural motion style suggests symphony technical techniques theme third tion tonality tonic top voice treatment turn various Wagner whole