An Evaluation of American Piano Music Derived from a Study of Current Critical Reports, 1890-1938University of Wisconsin--Madison, 1939 |
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Página 99
... whole number partakes of a fine improvisation in which a simple little opening theme is broadened and developed in both hands , at times with bell - like effects , at other with organ - like sonority . The second number is of dainty ...
... whole number partakes of a fine improvisation in which a simple little opening theme is broadened and developed in both hands , at times with bell - like effects , at other with organ - like sonority . The second number is of dainty ...
Página 172
... whole , managed with great imaginative quality . 12 There are two obvious defects , however ; the doubling of piano parts in octaves for too long stretches and a rather clum- sy use of the percussion . Aside from this , however , he ...
... whole , managed with great imaginative quality . 12 There are two obvious defects , however ; the doubling of piano parts in octaves for too long stretches and a rather clum- sy use of the percussion . Aside from this , however , he ...
Página 207
... whole melody is apprehended by the listener . The difficulty of committing to memory a melo- dy of this type , however , is in itself an indication of the trouble which confronts the listener when the melody is enlarged in the course of ...
... whole melody is apprehended by the listener . The difficulty of committing to memory a melo- dy of this type , however , is in itself an indication of the trouble which confronts the listener when the melody is enlarged in the course of ...
Términos y frases comunes
Allegro American Composers American Music August beauty brilliant called cello century character characteristic charming chord color composer composition Concerto contains critic Dance December described effects element emotional entitled example excellent expression fact February feeling final four gives Grainger hand harmonic Ibid ideas idiom imagination important impression Indian individual influence interesting January jazz July June later light major March marked material measures melody minor Modern Music mood movement Musical America Musical Leader Musical Observer Musical Quarterly Musician nature notes November opening Opus orchestra original passages performed pianist piano picture pieces played possesses Prelude present result rhythm rhythmic rich says sense September short shows Sonata Song sound spirit strings style suggests Suite technical theme third titles tonal tone touch treatment tune Variations whole writing written