An Evaluation of American Piano Music Derived from a Study of Current Critical Reports, 1890-1938University of Wisconsin--Madison, 1939 |
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Página 159
... theme which now appears in A Major , meno mosso . The piano takes up the second theme in a flowing manner . The first theme returns and when the second theme reappears it is given out in big choral form meno mosso e larghissimo and ...
... theme which now appears in A Major , meno mosso . The piano takes up the second theme in a flowing manner . The first theme returns and when the second theme reappears it is given out in big choral form meno mosso e larghissimo and ...
Página 179
... theme of the Rhapsody , of wild plaintive sad- ness is now introduced by the piano unharmonized , above a syn- copated organ - point . The English Horn now takes over the theme , the piano maintaining the syncopations , the strings in ...
... theme of the Rhapsody , of wild plaintive sad- ness is now introduced by the piano unharmonized , above a syn- copated organ - point . The English Horn now takes over the theme , the piano maintaining the syncopations , the strings in ...
Página 435
... theme expressed in octaves by the piano above a very light accompaniment . After a short bridge passage , the second theme of more rhythmic char- acter appears in the horns , poco piu mosso . A short orchestral passage leads to the ...
... theme expressed in octaves by the piano above a very light accompaniment . After a short bridge passage , the second theme of more rhythmic char- acter appears in the horns , poco piu mosso . A short orchestral passage leads to the ...
Términos y frases comunes
Allegro American Composers American Music August beauty brilliant called cello century character characteristic charming chord color composer composition Concerto contains critic Dance December described effects element emotional entitled example excellent expression fact February feeling final four gives Grainger hand harmonic Ibid ideas idiom imagination important impression Indian individual influence interesting January jazz July June later light major March marked material measures melody minor Modern Music mood movement Musical America Musical Leader Musical Observer Musical Quarterly Musician nature notes November opening Opus orchestra original passages performed pianist piano picture pieces played possesses Prelude present result rhythm rhythmic rich says sense September short shows Sonata Song sound spirit strings style suggests Suite technical theme third titles tonal tone touch treatment tune Variations whole writing written