An Evaluation of American Piano Music Derived from a Study of Current Critical Reports, 1890-1938University of Wisconsin--Madison, 1939 |
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Página 208
... sense returns to the sixteenth century for its liberty . He makes use of all the devices of augmentation , diminution , inver- sion and pedal point and proves by his own personal use of the old forms that they are fundamental and vital ...
... sense returns to the sixteenth century for its liberty . He makes use of all the devices of augmentation , diminution , inver- sion and pedal point and proves by his own personal use of the old forms that they are fundamental and vital ...
Página 300
... sense of beauty . His style is very well described by A. 0. Andersen who said of him : " His medium of expression is striking in the sense that it fits the new emotions he is depicting . His technique is new in that what he says cannot ...
... sense of beauty . His style is very well described by A. 0. Andersen who said of him : " His medium of expression is striking in the sense that it fits the new emotions he is depicting . His technique is new in that what he says cannot ...
Página 350
... sense of the term as the form and substance do not justify it , but it is called a Sonata for want of a more exact name . It has four movements entitled " Emerson , " " Hawthorne , " " The Alcotts , " and " Thoreau , " and is in two ...
... sense of the term as the form and substance do not justify it , but it is called a Sonata for want of a more exact name . It has four movements entitled " Emerson , " " Hawthorne , " " The Alcotts , " and " Thoreau , " and is in two ...
Términos y frases comunes
Allegro American Composers American Music American piano music Andante April arpeggio Bauer beauty Bloch Boston Symphony Orchestra brilliant Cadman cello character characteristic charm chords climax color Composers of Today Composers on American composition contains contrapuntal Cowell critic Dance December December 23 dissonant effects emotional Etude expression February feeling folk music Fugue Gershwin gives Griffes harmonic humor Ibid idiom impression Indian influence instruments January January 15 January-February jazz July June MacDowell March May-June melodic line melody ment minor Modern Music mood Musical America Musical Courier Musical Leader Musical Observer Musical Quarterly Musician negro notes November November-December octaves Opus original Ornstein pedal Percy Grainger pianist piano and orchestra Piano Concerto piano pieces picture played poem poetic Prelude Quintet ragtime rhythm rhythmic Scherzo second movement shows solo Sonata form song spirit strings style suite thematic material theme tonal tone tune Twentieth Century Music Valse Variations violin writing written