An Evaluation of American Piano Music Derived from a Study of Current Critical Reports, 1890-1938University of Wisconsin--Madison, 1939 |
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Página 342
Genevieve Elizabeth Winchester. 95 found in Hyperprism page 10. Here he uses repeated notes with a few grace notes to relieve the monotony of pitch or he repeats a figure again and again . This type of melody does not distract the ...
Genevieve Elizabeth Winchester. 95 found in Hyperprism page 10. Here he uses repeated notes with a few grace notes to relieve the monotony of pitch or he repeats a figure again and again . This type of melody does not distract the ...
Página 356
... notes between the thematic notes . One might expect that such treat- ment might obscure the thematic material , but Harris brings out 131 the melodic design by dynamic accents on the important notes . By this means many of his melodies ...
... notes between the thematic notes . One might expect that such treat- ment might obscure the thematic material , but Harris brings out 131 the melodic design by dynamic accents on the important notes . By this means many of his melodies ...
Página 371
... notes from the fourth beat to the third beat and back to the fourth ; later the groups of five notes in the left hand with the right hand still shifting its group of sixteenth 168 notes . There is also a Concerto for piano and orchestra ...
... notes from the fourth beat to the third beat and back to the fourth ; later the groups of five notes in the left hand with the right hand still shifting its group of sixteenth 168 notes . There is also a Concerto for piano and orchestra ...
Términos y frases comunes
Allegro American Composers American Music August beauty brilliant called cello century character characteristic charming chord color composer composition Concerto contains critic Dance December described effects element emotional entitled example excellent expression fact February feeling final four gives Grainger hand harmonic Ibid ideas idiom imagination important impression Indian individual influence interesting January jazz July June later light major March marked material measures melody minor Modern Music mood movement Musical America Musical Leader Musical Observer Musical Quarterly Musician nature notes November opening Opus orchestra original passages performed pianist piano picture pieces played possesses Prelude present result rhythm rhythmic rich says sense September short shows Sonata Song sound spirit strings style suggests Suite technical theme third titles tonal tone touch treatment tune Variations whole writing written