An Evaluation of American Piano Music Derived from a Study of Current Critical Reports, 1890-1938University of Wisconsin--Madison, 1939 |
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Página 173
... Concerto is an addition of worth and dignity to the American repertory of the piano . " 15 And H. T. Parker of the Boston Transcript was even more en- " The Concerto , " he wrote , " is rooted in negro melody . thusiastic . From his ...
... Concerto is an addition of worth and dignity to the American repertory of the piano . " 15 And H. T. Parker of the Boston Transcript was even more en- " The Concerto , " he wrote , " is rooted in negro melody . thusiastic . From his ...
Página 295
... Concerto is one of the first unmistakably important Piano Concertos in the popular idiom ; it represents jazz in its most dazzling aspects , in its dissonant , unleashed 46 primitivism . It may be that Copland has overdone matters for ...
... Concerto is one of the first unmistakably important Piano Concertos in the popular idiom ; it represents jazz in its most dazzling aspects , in its dissonant , unleashed 46 primitivism . It may be that Copland has overdone matters for ...
Página 410
... Concerto . The relation is not apparent at first , for , in this piece the theme is gentle and lyric while in the Concerto it assumes a dramatic and heroic 17 character . Her largest and most ambitious work is this Piano Concerto in ...
... Concerto . The relation is not apparent at first , for , in this piece the theme is gentle and lyric while in the Concerto it assumes a dramatic and heroic 17 character . Her largest and most ambitious work is this Piano Concerto in ...
Términos y frases comunes
Allegro American Composers American Music August beauty brilliant called cello century character characteristic charming chord color composer composition Concerto contains critic Dance December described effects element emotional entitled example excellent expression fact February feeling final four gives Grainger hand harmonic Ibid ideas idiom imagination important impression Indian individual influence interesting January jazz July June later light major March marked material measures melody minor Modern Music mood movement Musical America Musical Leader Musical Observer Musical Quarterly Musician nature notes November opening Opus orchestra original passages performed pianist piano picture pieces played possesses Prelude present result rhythm rhythmic rich says sense September short shows Sonata Song sound spirit strings style suggests Suite technical theme third titles tonal tone touch treatment tune Variations whole writing written