Musicology: The Key ConceptsRoutledge, 2004 - 256 páginas Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music. |
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Términos y frases comunes
absolute music Adorno aesthetic American musicologist authenticity autonomy avant-garde Barthes Beethoven Berkeley and London Bujić California Press Cambridge University Press canon classical composer’s composers concept concerned construction contemporary context critical musicology critical theory critique cultural studies culture industry Dahlhaus deconstruction defined developed discourse emergence Enlightenment ethnicity ethnomusicology example Further reading gender genre German globalization hermeneutics historical musicology hybridity ibid idea identity ideology influence interpretation issues jazz Joseph Kerman Kant Kramer language Lawrence Kramer literary Marxism McClary meaning metaphor modernism Music Analysis Music Theory musicians narrative nationalism Nineteenth Century Music opera organicism Orientalism Oxford University Press performance period perspective philosopher political popular music post-structuralism postmodernism recent reflects relation relationship Renaissance Renaissance music Romantic Romanticism Routledge Schoenberg Schubert semiotics sense social specific structure subject position suggests Symphony Taruskin Theodor Adorno theorist Tomlinson tonal tradition trans twentieth century University of California Wagner writing York