Carving Devotion in the Jain Caves at Ellora

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BRILL, 3 abr. 2012 - 224 páginas
Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain artistic and devotional practices at the rock-cut site of Ellora in Maharashtra, India. Created during the ninth and tenth centuries, Ellora's Jain caves are among the best-preserved examples of medieval Jain art in India. While this book briefly addresses traditional art historical issues of date and iconography, it primarily considers the articulation of sacred space within the caves and the role of imagery in shaping devotional practices. Building upon scholarship that examines Jainism within its larger South Asian context, this book also explores connections between the Jain monuments and their Hindu and Buddhist counterparts to reveal a lived religious world at Ellora.
 

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Índice

CARVING THE SAMAVASARAṆA
15
CARVING THE LIBERATED
41
CARVING THE DIVINE
81
CARVING ELLORAS JAIN PATRONS
131
CARVING SACRED SPACE
165
CARVING A LARGER JAIN WORLD
189
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Sobre el autor (2012)

Lisa N. Owen, Ph.D. (2006) in Art History at the University of Texas at Austin, is an Assistant Professor at the University of North Texas. Her publications on India's rock-cut monuments examine how constructed space and imagery shape devotional practices.

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