Painting in Spain: 1500-1700, Volumen 55

Portada
Yale University Press, 1998 - 283 páginas
El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period.

Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
 

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Índice

Prefizce
1
HispanoFlemish Painting and the Intrusion of the Italian Renaissance 14701550
7
The Renaissance Once Removed 15201560
29
The Reign of Philip II
46
oooqunh
147
IO Collectors and Collections
164
Painting in Madrid 16401665
179
Seville at MidCentury 16401660
200
The New Era in Andalusia 16601700
212
Madrid 16651700
233
Notes
254
Bibliography
267
Index
275
Picture Credits
284
Página de créditos

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Términos y frases comunes

Pasajes populares

Página 272 - Paintings by Ribera in the Collection of the Duque de Medina de las Torres,
Página 268 - Burial of the Count of Orgaz" and the Concept of Mannerism of the Vienna School, or Max Dvorak and the Occult.

Sobre el autor (1998)

Jonathan Brown is Carroll and Milton Petrie Professor of Fine Arts at the Institute of Fine Arts, New York University. He is the author of many books on Spanish art, including The Golden Age of Painting in Spain and Velázquez: Painter and Courtier, and coauthor of Velázquez: The Technique of Genius, all published by Yale University Press. Brown was awarded the Medalla de Oro de Bellas Artes by the government of Spain for his contributions to the history of Spanish art and culture.

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