New Punk CinemaNicholas Rombes Edinburgh University Press, 2005 - 218 páginas New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream.New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.Features* Offers a comprehensive examination of the term 'new punk' cinema.* Provides several new approaches for the study of digital cinema.* Includes close analysis of several key new punk films and directors. |
Índice
Introduction | 1 |
Italian Neorealist Influences | 39 |
New Again | 56 |
Sincerity and Irony | 72 |
Navigating Chaos | 113 |
Nonlinear Narrative | 126 |
Making it Real | 139 |
Lars von Trier and Thomas Vinterberg | 153 |
Time Code and the Screen | 168 |
Reclaiming the Spirit of Punk with Alex | 193 |
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Términos y frases comunes
actors Alex Cox Amélie Amélie's American artistic audience auteur authenticity bands Blair Witch boys CBGBs characters Chelsea Girls Code complex contemporary conventional create critical critique culture digital cameras director documentary Dogma 95 Dogma films Dogville Dufayel economic editing emotional entertainment fact fiction Fight Club film viewing film-makers film's filmic frame French New Wave genre Godard Gummo hand-held Harmony Korine Hjort Hollywood ibid Idiots images ironic irony Italian Julio Korine Korine's Lars von Trier Luisa mainstream Manifesto Manovich movie narrative narrator neo-realist notes offers performance play possible post-modern production protagonists punk aesthetics punk cinema punk films punk rock punk's Ramones realism reality rules Run Lola Run Sant's scene screen sense sequence Sex Pistols shot sound spectator story structure studio style suggests Tarantino techniques television Tenoch things tradition Trier truth videotape viewer Vinterberg visual voice-over Warhol's