New Punk Cinema

Portada
Nicholas Rombes
Edinburgh University Press, 2005 - 218 páginas
New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream.New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.Features* Offers a comprehensive examination of the term 'new punk' cinema.* Provides several new approaches for the study of digital cinema.* Includes close analysis of several key new punk films and directors.
 

Índice

Introduction
1
Italian Neorealist Influences
39
New Again
56
Sincerity and Irony
72
Navigating Chaos
113
Nonlinear Narrative
126
Making it Real
139
Lars von Trier and Thomas Vinterberg
153
Time Code and the Screen
168
Reclaiming the Spirit of Punk with Alex
193
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Sobre el autor (2005)

Nicholas Rombes is an Associate Professor of English at the University of Detroit Mercy, where he co-founded the Electronic Critique Program.

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