Music Inside Out: Going Too Far in Musical EssaysRoutledge, 18 mar 2014 - 200 páginas John Rahn's prolific activities as a composer-theorist-teacher, inventor of computer sound-synthesis software, editor of Perspectives of New Music during the 1980s and 90s, and author of an exemplary text on atonal theory are conspicuously in the foreground of the academic music-intellectual world. This collection of essays charts Rahn's progression from the construal of music's data structures to the articulation of its experiential structures, leading to the question of its moral infrastructures and its value systems of the internal and external worlds. This book shows Rahn's remarkable intellectual evolution, culminating in the recognition that the pressure bearing on discourse can only be contained by thought formulated in the non-referential language of the arts themselves. Also includes 18 musical examples. |
Índice
Repetition | |
Differences | |
Centers Dissenters Music Religion and Politics | |
Aspects of Musical Explanation | |
Notes on Methodology in Music Theory | |
New Research Paradigms | |
The Nature of Comparison | |
Logic Set Theory Music Theory | |
How Do You Du by Milton Babbitt? | |
What Is Valuable in Art and Can Music Still Achieve It? | |
Music as Antitheater | |
Otras ediciones - Ver todo
Music Inside Out: Going Too Far in Musical Essays John Rahn,Benjamin Boretz Vista previa restringida - 2014 |
Music Inside Out: Going Too Far in Musical Essays : Essays John Rahn,Benjamin Boretz Vista previa restringida - 2001 |
Music Inside Out: Going Too Far in Musical Essays : Essays John Rahn,Benjamin Boretz Vista previa restringida - 2001 |
Términos y frases comunes
abstraction aesthetic analog analysis arpeggiation artwork autonomy axiomatic set theory Benjamin Boretz Center change of context change-of-context circle of fifths cognition com complex Compose Computer con concepts constructed critical culture D-ishness defined definition dis discourse dissent Eric Gans Essays example experience expression formalized theory George Rochberg hexachord Iannis Xenakis idea John Cage John Rahn John’s text kind language least Logic Madonna mathematics Merleau-Ponty Meta-Variations metaphor Milton Babbitt mode music theory musical explanation Musicology Nattiez notes object one’s ontological paradigm particular perceived perception Perspectives ofNew Music Phenomenology philosophy piece of music pitch pitch-adjacent pitch-class Plato’s possible predicate radical Randall relation repetition rhythm row-form Schenker’s Scientific semiologie semiotics sense Socrates sounds structure syntactical telos temporal then-a theorists thing Thousand Plateaus timespan tion tonal Translated trichord trichord-span University Press violence Visible et Vinvisible Xenakis