Theatrum Arbitri: Theatrical Elements in the Satyrica of Petronius"Theatrum Arbitri" is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and "fabula Atellana") on the surviving fragments of Petronius' "Satyrica," The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the "Satyrica," and a comprehensive account of the theatre of the mimes and its main features. |
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Índice
The adventures at the school of rhetoric | 1 |
The adventure of the stolen tunic and Quartillas orgy | 20 |
Spectaculum Trimalchionis | 52 |
Unfaithful lovers and manic poetasters | 110 |
An adulterymime | 122 |
The adventures on board Lichas ship | 136 |
The adventures at Croton | 161 |
Conclusion | 191 |
Bibliography | 197 |
209 | |
224 | |
Otras ediciones - Ver todo
Theatrum Arbitri: Theatrical Elements in the <i>Satyrica</i> of Petronius C. Panayotakis Vista previa restringida - 1995 |
Términos y frases comunes
according action actor actual amusing appearance argue Ascyltus attempts audience becomes brief Cena characters Circe Classical comedy comic connection context cook create death described detailed discussion effect elements Encolpius enter episode Eumolpus example expression fabula fact farcical figure follow function genre gestures Giton gives Greek guests hands imitation impression incident interpretation kind literary lover manner means mentioned mime mimic mind motif narrative narrator notes novel original particular passage performance perhaps person Petronian Petronius Philology piece Plautus play plot popular possible presented Press pretended provides Quartilla reading reason refers rhetorical ridiculous role role-playing Roman Rome Sandy satire Satyrica Satyricon scene seems sexual similar situation Slater slave spectacle speech stage Studies suggested theatre theatrical theme tion tone tradition Trimalchio's visual vulgar whole
Referencias a este libro
Ambitiosa Mors: Suicide and the Self in Roman Thought and Literature T.D. Hill No hay ninguna vista previa disponible - 2004 |