What flattering music meets his ear, What loving voices greet! He sitteth now in presence here, With a nation at his feet. And (joy for him!) he's not alone; The bishops, a right reverend race, Rare things of gold that through the place They robe him next with a robe of grace, And many a ring, and staff, and sword, To kiss the cheek, with aspects meek The people laugh, and the peers they stare For they never had thought to have seen him there. I guess 'twas curious there to see A baron so oddly clad as he, Ludicrous exceedingly. :0: SONNETS ON THE CORONATION. By a Lyrist from the Lakes. (William Wordsworth.) [Our Lyrist of the Lakes must be figured as an "old man eloquent" in all that can interest and elevate our nature, He should be somewhat tall, and somewhat drooping, with a head that scarcely seems to know that there is a halo round it, an expression of quiet dignity and simplicity of character, an unaffected familiarity of demeanour, and a suit of brown, properly fitted for one whose studies are sometimes of the same complexion. The white doe, the "solitary doe" of Rylstone, might be playing in the back-ground, and it would not be amiss to have a glimpse of the other solitary and immortal quadruped, that Peter Bell encountered in the forest.] NATIONAL HAPPINESS. OH! ardent gazers! happy, happy herd Oh! what can damp a nation's natural joy. EFFECTS OF RAIN AT A CORONATION. What, what but RAIN! When brightest shines the sun, Now as the pageant gorgeous back returns, Down, down it comes! Each honied aspect learns The sour vexation; all delight is done. The King is now forgotten. Many run For shelter, where strange phrases (strange to me) Meanwhile each cloud some cherished comfort mars; THE SUBJECT CONTINUED. The very soldiers fly: with dripping plumes Had prayed for a "long reign!' but not for showers I have forgot what I was going to say. :0: THE LITTLE ABSENTEE. (Miss L. E. Landon.) [The only illustration to this contribution should be three elegantly-ornamented letters "L.E.L." Through the clouds in the background might be dimly discerned a face, whose expression seems to hover between Romance and Reality-that indicates a spirit bound by every natural tie to the altar of song, yet stealing a sidelong look at the shrine of prose, as if inclined to offer up half its worship there.] I SEE the bright procession wind I see fair Lady Harrington; The little princes too are there, Those pure and pretty peers; One speck upon this earthly sun, Throws on my heart a shade. ་་ My eye it rests on every spot, Ladye and cavalier; But that fair child, I see her not The humblest maid will murmur when How must a princess suffer then, Thus, mid the rich magnificence, Presents unto my inmost sense :0: A REFLECTION. (Rev. George Crabbe.) [The author of this "Reflection," who would have given a Tale of the Hall," but that it happened to be closed this Coronation, should be represented by a river side, moralizing on the state of some Crabs that have just been captured, and quite insensible to the increasing tide which is washing over him. He should be figured as a poet prone to consider things "too curiously"-as one who, if he had a centipede to describe, would dissect you every separate leg, and instruct you in its anatomy; who would enlist your sympathies for a beggar by painting the shape and colour of every patch upon his vest, and whose picture of a battle would be merely the Army-List turned into rhyme. A workhouse should be in the centre of the picture, with a prison on one side, and an hospital on the other.] TURN from the court your eyes, and then explore Confine what traps are in those trappings set! -:0: A MELODY. (MOORISH.) (Thomas Moore.) "The Moor, I know his trumpet ! "-OTHELLO. [A very small space will suffice for the present illustration. The poet must be figured at his desk inditing an epistle, commencing with "My dear Lord." Volumes of Much comment was made upon the fact that the Duchess o Kent and her daughter, the Princess Victoria (heiress to the throne), were not present at the coronation of William IV. poetry that exhibit signs of having been read over and over again are thrown in profusion about him, mingled with which are some biographies that seem to have been cast aside with many of the leaves uncut. Invitations to dinner are piled before him, with some resolutions proposing him as President of the Silver Fork Club.] THERE'S a beauty as bright as the sunshine of youth, This odour, 'tis not from the Abbey at all, But breathes round the banquet in Westminster Hall; This light, that outsparkles the courtliest class, Is the dazzling of dishes, the glitter of glass. Let, let but that lustre encircle me still! 'Tis the true light of love, we may say what we will. No banquet, dear Lansdowne ? no banquet to-day! [The poet was here overcome by his feelings. He was carried off in a carriage decorated with a coronet, and was shortly afterwards set down at a very satisfactory side-table.] :0: A GLANCE FROM A HOOD. (Thomas Hood.) [Represent a grave and rather anti-pun-like looking person, turning over the leaves of a pronouncing dictionary, and endeavouring to extract a pun from some obstinate and intractable word, that everybody else had discovered and abandoned years ago. Now and then he finds something that repays him, not because it is good but because it is new. If unsuccessful, he puts the first word he comes to in italics, and leaves the reader to fasten any joke upon it he pleases.] HE comes, he comes! the news afar That echoing cheer-it rises higher A poet-King; nay, do not scoff! The Monarch hath his Mews; Yet some our King and Queen must hate, Their houses they illuminate He's near the Abbey; on the air The guns their echoes threw ; And now the bishops make him swear That organ seems on ours to play As if our love to nourish; Be ruined by reform who may, Those trumpeters must flourish. A crown is brought, they make him King; A King! why they mistake; Two crowns, each child must know the thing, But half a sovereign make. Well, he is ours; along the way He hears his people's vow; And as he goes, he seems to say, "Your Bill is passing now!" -:0: THE LAUREATE'S LAY. (Robert Southey, Poet Laureate.) [The Laureate's Lay will of course exist only in a blank page. His lyre hath no chord left. He hath taken out a patent in the Court of Apollo, for treating birthdays and coronations with contempt. He basks in the sunshine of idleness-the poetical privilege of doing nothing, except calling at the treasury once a-year. As he could not be conveniently omitted among the contributors to this collection, some emblematic device may be introduced-a chamelion, or a rainbow or you may paint him, if you will, glancing back upon the light of his earlier years, and paraphrasing the story of "Little Wilhelmine" and the "famous victory: "They say it was a splendid sight, Such sums were lavished then, Was full of famished men ; But things like that, you know, must be "Much praise our gentle Monarch won, "But what good came of it at last," Quoth simple Mr. Hume. "Why, that I cannot tell," said he, "But 'twas a famous pageantry." MR. BARNUM'S EXPERIENCE OF TRAVELLING IN ENGLAND. THE way was short, the wind was cold, The voyage on Mr. B. had told; His yielding knees, his tottering gait, His sunken eyes, his face so pale, And undistributed remained The store of handbills it contained. It was a dark and fusty den, In which were huddled several men, As, with their chins close to their knees, Room for his legs, or arms to gain. If we poor victims truly are Now seated in a first-class car?" "We are!" they moaned, then Barnum said, "I'm sure I'd much prefer instead Inside a cattle-truck to ride! "You're right!" his fellow martyrs cried. "Then why," exclaimed P. Barnum "then, If you are true, brave Englishmen, Do you submit without a battle To thus be served far worse than cattle?" He uttered this denunciation: "BREATHES there a man that England's bred, This is a scandal to my land? The Christmas Number of Truth, 1877, contained a parody on Lochinvar, concerning the appointment of Mr. Digby Piggott, as controller of the stationery office, by Lord Beaconsfield. This was characterised, at the time, as a gross piece of jobbery, but the subject has lost all interest now, and the parody was not a particularly good one. Charles Kingsley. Born June 12, 1819. Died January 23, 1875. CHARLES KINGSLEY. Charles Kingsley, rector of Eversley, was born June 12, 1819, at Holne Vicarage, Dartmoor, Devonshire, and died January 23, 1875. His poems, though comparatively few in number, are marked by much power, pathos, and originality. The two which have most frequently suffered parody are The Three Fishers, and the Ode to the North-East Wind. THE THREE FISHERS. THREE fishers went sailing away to the West, For men must work, and women must weep, Three wives sat up in the lighthouse tower, But men must work, and women must weep, Three corpses lay out on the shining sands For men must work, and women must weep, CHARLES KINGSLEY. AN OLD FRIEND IN A NEW DRESS. Three wives sat up in JANE CLARKE'S for hours. Three Bankrupts were figuring in the Gazette This parody, with three appropriate illustrations, appeared in Punch, November 27, 1858. THE FOUR FISHERS, (Who caught nothing) FOUR Merchants who thought themselves wisest and best To the EMPEROR LOOEY a letter addressed, "We'll sound his plans so dark and so deep, From Liverpool brokers no secret he'll keep," Said they, in their Lancashire toning. Four Boobies went sniggering round all day "We'll strike LORD PALMERSTON all of a heap, And show we can catch a French weasel asleep," Said they, their impertinence owning. Four asses they hung down their lollopping ears, For LOOEY knows well how his secrets to keep, Punch, December 17, 1859. (During the ridiculous panic about a supposed imminent French invasion in 1859, four Liverpool gentlemen wrote a letter to Napoleon III. asking him to publicly declare what his intentions were towards England.) THE LASHER AT IFFLEY. EIGHT Coveys went out in their college boat, For men must row and coxswains must steer, These eight coveys went into training one day, For men must train and coxswains must steer, And if they don't train they'll get bumped I fear, The races came on, and the guns went off, For men must spurt, and never say die, And when their strength fails, on their pluck must rely, While the lasher at Iffley is moaning. The races are past, and the bumps are made, For men must rest, and races must cease, College Rhymes, 1861. W. Mansell, Oxford. HOW THREE FISHERS WENT SALERING, And their dress is expensive, and many to keep, Three gentlemen lounged at the club-house door, Three gentlemen lay in three separate cells- THE THREE FRESHMEN. THREE freshmen went loafing out into the High, And the nursemaids stood watching them all the way down. Three townsmen met them near Magdalen Tower; riot, And bull-dogs come sudden, some mischief to spy out, While the College Dons are moaning. The Proctors came up in their shining bands, And they asked them their names, and they sent them down. And their mothers are weeping and wringing their hands, For men go to grief, and their mothers must pay, College Rhymes, 1865. T. and G. Shrimpton, Oxford. THE THREE FELLAHS. THREE fellahs went out to a house in the west, If they can't get a husband whose pocket is deep, Three girls sat dressed to the best of their power, Three swells are tied firmly in wedlock's bands, Judy, September 4, 1867. THREE HUSBANDS. THREE husbands went forth from their homes in the West- For men must work and women must dress, Three wives sat up in a lady's bower, And each trimmed the dress that was brought from town, Fixing here a ribbon, and there a flower; And said one "Twill look well trimmed with Bismarck brown," For men must work that women may dress, |