Changing Tunes: The Use of Pre-existing Music in FilmPhil Powrie, Robynn Jeananne Stilwell Ashgate Publishing, Ltd., 2006 - 205 páginas The contributors in this volume discuss the use of pre-existing classical and popular music in film, focusing on a diverse range of case-study examples including Kubrick's '2001', 'Godfather III', 'Brief Encounter', 'Pulp Fiction' and 'Trainspotting'. |
Índice
Kubricks Music | 3 |
The Fabulous Destiny of the Accordion in French Cinema | 10 |
Using Classical Music in Film | 19 |
Bizets Carmen and the Cinema | 46 |
The Troll Among | 74 |
The Bolero Camp and Almodóvar | 91 |
Music Electricity and the Sweet Mystery of Life | 105 |
The Popular Song as Leitmotif in 1990s Film | 119 |
The Record as Ritual Object in Girls | 152 |
The Pop Video in the Age of the Sampler | 167 |
Filmography | 180 |
Bibliography | 188 |
| 199 | |
Otras ediciones - Ver todo
Changing Tunes: The Use of Pre-existing Music in Film Phil Powrie,Robynn Jeananne Stilwell Vista de fragmentos - 2006 |
Changing Tunes: The Use of Pre-Existing Music in Film Robynn Stilwell No hay ninguna vista previa disponible - 2017 |
Términos y frases comunes
accompanied accordion Adorno aesthetic Alice Amadeus Amélie appears artefact artistic ASIN audience Bill Bill's Bizet's bolero Brief Encounter Britpop camera camp Carmen films Carmen Jones Cavalleria rusticana characters cinema classical music composer concerto connotations context conventional Coppola Corleone creature dance death diegetic emotional example excerpt Eyes Wide Shut film music film score film's Frankenstein story French function gender genre girls Godfather Godfather films Godfather Part III Golem Gorbman Grieg's Hall high culture historical hybrid Ibsen Iggy Pop Intermezzo Kubrick leitmotif Ligeti Mascagni's masculine melody Michael Mountain King Mozart narrative opening opera house orchestral original Pedro Almodóvar Peer Gynt performance piano piece play pleasure popular music popular songs postmodern pre-existing music Preghiera record relationship rhythm ritual role romantic Rosi's Salieri scene sequence sexual signify singer singing sound soundtrack stage structural style theme traditional Trainspotting troll tune Turridù underscore visual voice waltz whilst Young Frankenstein
Referencias a este libro
ISMIR 2008: Proceedings of the 9th International Conference of Music ... Juan Pablo Bello,Elaine Chew,Douglas Turnbull Vista previa restringida - 2008 |