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genius and taste, the approbation this Essay meets with 50.--I can safely affirm, that I never attacked any of these writings, unless they had success intinitely beyond their merit.— This, though an empty, has been a popular scribbler. The epidemic madness of the times has given him reputation 5. -If, after the cruel treatment so many extraordinary men (Spenser, Lord Bacon, Ben Jonson, Milton, Butler, Otway, and others) have received from this country for these last hundred years, I should shift the scene, and show all that penury changed at once to riot and profuseness, and more squandered away upon one object than would have satisfied the greater part of those extraordinary men ; the reader, to whom this one creature should be onknown, would fancy him a prodigy of art and pature ; would believe that all the great qualities of these persons were centred in him alone. But if I should venture to assure him that the people of England had made such a choicc- the reader would either believe me a malicious enemy and slanderer, or that the reign of the last (Queen Anne's) ministry was designed by fate to encourage fools 5??

But it happens that this our poet never had any place, pension, or gratuity, in any shape, from the said glorious Queen, or any of her ministers. All he owed, in the whole course of his life, to any court, was a subscription for his Homer of 2001. from King George I. and 1001. from the Prince and Princess.

50 Dennis, Preface to his Reflections on the Essay on Cri. ticism.

51 Preface to his Remarks on Homer. 52 Remarks on Homer, p. 8, 9.

However, lest we imagine our author's success was constant and aniversal, they acquaint us of certain works in a less degree of repute, whereof, althongh owned by others, yet do they assure us he is the writer. Of this sort, Mr. Dennis 53 ascribes to him two Farces, whose names he does not tell, but assures us that there is not one jest in them; and an imitation of Horace, whose title he does not mention, but assures us it is much more execrable than all his works 54. THE DAILY JOURNAL, May 11, 1728, assures us, . He is below Tom Durfey in the drama; because (as that writer thinks) the Marriage-Hater Matched, and the BoardingSchool, are better than the What-d'ye-call it;' wbich is not Mr. P.'s but Mr. Gay's. Mr. Gildon assures is, in his New Rehearsal, p. 48, “that he was writing a play of the Lady Jane Gray; but it afterwards proved to be Mr. Rowe's. We are assured by another, · He wrote a pamphlet called Dr. Andrew Tripe 55;' which proved to be one Dr. Wagstatt's. Mr, Theobald assures, in Mist of the 27th of April, " That the treatise of the Profound is very dull, and that Mr. Pope is the author of it.' The writer of Gulliveriana is of another opinion; and says, “the whole, or greatest part, of the merit of this treatise must and can only be ascribed to Gulliver 56. [Here, gentle reader! cannot I but smile at the strange blindness and positiveness of men, knowing the said treatise to appertain to none other but to me, Martinos Scriblerus.)

We are assured, in Mist of June 8, • That his

53 Remarks on Homer, p. 8.
54 Character of Mr. Pope, p. 7.
56 Gulliver, p. 336.

55 Ibid. p. 6.

own plays and farces would better have adorned the Danciad than those of Mr. Theobald; for he had neither genius for tragedy por comedy.' Which, whether true or not, it is not easy to judge, in as much as he had attempted neither; unless we will take it for granted, with Mr. Cibber, that bis being once very angry at hearing a friend's play abused, was an infallible proof the play was his own; the said Mr. Cibber thinking it impossible for a man to be much concerned for any but bimself: "Now let any man judge (saith he) by this concern, who was the true mother of the child 57'

But from all that hath been said, the discerning reader will collect, that it little availed our author to have any candour, since, when lie declared he did not write for others, it was not credited ; as little to have any modesty, since, when he declined writing in any way himself, the presumption of others was imputed to him. If he singly enterprised one great work, he was taxed of boldness and madness to a prodigy 58: if he took assistants in another, it was complained of, and represented as a great injury to the public 59. The loftiest heroics, the lowest ballads, treatises against the state or church, satires on lords and ladies, raillery on wits and authors, squabbles with booksellers, or even full and true accounts of monsters, poisons, and murders; of any hereof was there nothing so good, nothing so bad, which had not, at one or other season, been to him ascribed. If it bore no

57 Cibber's Letter to Mr. Pope, p. 19. 66 Burnet's Homerides, p. 1. of his Translation of the Iliad.

59 The London and Mist's Journals, on his undertaking the Odyssey

anthor's name, then lay he concealed; if it did, he fathered it upon that author to be yet better concealed: if it resembled any of his styles, then was it evident; if it did not, then disguised he it on set purpose. Yea, even direct oppositions in religion, principles, and politics, have equally been supposed in him inherent. Surely a most rare and singular character! of which let the reader make what he can.

Doubtless most commentators would hence take occasion to turn all to their author's advantage, and, from the testimony of his very enemies, would affirm, that his capacity was boundless as well as his imagination : that he was a perfect master of all styles, and all arguments, and that there was in those times no other writer, in any kind, of any degree of excellence, save he himself. But as this is not our own sentiment, we shall determine on nothing ; but leave thee, gentle reader, to steer thy judgment equally between various opinions, and to choose whether thot'wilt incline to the testimonies of authors avowed, or of authors concealed; of those who knew him, or of those wbo knew him not. P.

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MARTINUS SCRIBLERUS

OF THE POEM. This poem, as it celebrateth the most grave and ancient of things, Chaos, Night, and Dulness ; so is it of the most grave and ancient kind. Homer (saith Aristotle) was the first who gave the form, and (saith Horace) who adapted the measure, to heroic poesy. But even before this may be rationally presumed, from what the ancients have left written, was a piece by Homer, composed of like nature and matter with this of our poet; for of epic sort it appeareth to have been, yet of matter surely not unpleasant, witness what is reported of it by the learned Archbishop Eustathius, in Odyssey X. And accordingly Aristotle, in his Poetic, chap. iv. doth further set forth, that as the Iliad and Odyssey gave an example to tragedy, so did this poem to comedy its first idea.

From these authors also it should seem that the hero, or chief personage of it, was no less obscure, and his understanding and sentiments no less quaint and strange (if indeed not more so) than any of the actors of our poem. Margites was the name of this personage, whom antiquity recordeth to have been Dunce the first; and surely, from what we hear of lim, not unworthy to be the root of so spreading a tree, and so numerous a posierity. The poem, therefore, celebrating hiin, was properly and absolutely a Dunciad; which though now unhappily lost, yet is its nature sufficiently known by the infallible tokens aforesaid. And thus it doth appear that the first Duociad was the first epic poem written by Homer himself, and anterior even to the Iliad or Odyssey.

Now, forasmuch as our poet hath translated those two famous works of Homer which are yet left, he did conceive it in some sort his duty to imitate that also which was lost; and was therefore induced to bestow on it the same form which Homer's is reported to have had, namely, that of

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