The Stravinsky LegacyCambridge University Press, 10 dic 1998 - 282 páginas The music of Igor Stravinsky has had a profound impact on the development of twentieth-century music. In this book, Jonathan Cross explores the technical and aesthetic legacy of Stravinsky in relation to a broad range of composers, from Varèse to Andriessen, from Messiaen to Birtwistle. He also proposes a re-examination of Stravinsky's own neoclassical music and Theodor Adorno's notorious critique of Stravinsky. This book is part history, part analysis, part aesthetics, and will be of value to anyone who takes an interest in the music of our time. |
Índice
Block forms | 17 |
Structural rhythms | 81 |
Ritual theatres | 132 |
Minimal developments | 170 |
A fresh look at Stravinsky analysis | 193 |
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Términos y frases comunes
Adorno aesthetic Amériques Andriessen arco articulated aspects bass Birtwistle Birtwistle's blocks Boulez Carter chorale chords clarinet composers context continuity crotchet Cubism Debussy diatonic discontinuity drama dynamic Earth Dances Edgard Varèse Elliott Carter ensemble example expecto fragmentation Griffiths harmonic Harrison Birtwistle Ibid ideas Igor Stravinsky influence kind layering London melody Messiaen Modern Music modernist motif music theatre neoclassical neoclassicism Noces non-developmental nonetheless octatonic Oedipus rex opera opposition orchestral organisation ostinatos Paddison parallels percussion Petrushka Philosophy of Modern piano piece pitch pitch classes pizz postmodern Pulcinella quaver Rake's Progress Reich repetition rhythm rhythmic Rite of Spring ritual Russian Traditions Schoenberg score sense simultaneous Soldier's Tale solo sonata stasis static Stockhausen Stravinsky's modernism Stravinsky's music Stravinsky's Symphonies String Quartet structure suggests Symphonies of Wind Taruskin tempo theme tion Tippett tonal Toorn tpts twelve-note University Press Varèse Varèse's voice leading Whittall Wind Instruments work's