Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip GlassCambridge University Press, 25 abr 2002 - 390 páginas This book offers the most detailed account so far of the early works of these four minimalist composers, putting extensive discussion of the music into a biographical perspective. The true musical minimalism of the 1960s and early 1970s is placed in the wider context of their music as a whole, and considered within the cultural conditions of the period, which saw not only the rise of minimalism in the fine arts but also crucial changes in the theory and practice of musical composition in the Western cultivated tradition. |
Índice
III | 1 |
IV | 21 |
V | 23 |
VI | 28 |
VII | 41 |
VIII | 49 |
IX | 56 |
X | 67 |
XXIV | 170 |
XXV | 176 |
XXVI | 207 |
XXVII | 211 |
XXVIII | 231 |
XXIX | 247 |
XXX | 251 |
XXXI | 252 |
XI | 80 |
XII | 88 |
XIII | 92 |
XIV | 93 |
XV | 101 |
XVI | 108 |
XVII | 115 |
XVIII | 133 |
XIX | 142 |
XX | 147 |
XXI | 151 |
XXII | 153 |
XXIII | 156 |
XXXII | 254 |
XXXIII | 260 |
XXXIV | 273 |
XXXV | 303 |
XXXVI | 307 |
XXXVII | 323 |
XXXVIII | 339 |
XXXIX | 342 |
360 | |
XLI | 365 |
375 | |
Otras ediciones - Ver todo
Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass Keith Potter No hay ninguna vista previa disponible - 2000 |
Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass Keith Potter No hay ninguna vista previa disponible - 2000 |
Términos y frases comunes
additive process aesthetic already artists Basic Unit bass beats Cage chord Clapping Music clarinets complete composer composer's composition concert contrapuntal Curved Air Dream drone Drumming early Eighteen Musicians Einstein Eternal Music Example Experimental Music explored Figure Fluxus following quotation Four Organs Gonna Rain harmonic improvisation influence jazz John Cage Jon Gibson Keyboard Study La Monte Young later major Mallet Instruments marimbas material Michael Nyman minimalist modal modules motion move Music for Eighteen Music for Mallet Music in Twelve Music with Changing musical minimalism notated notes Nyman output performance Philip Glass Ensemble Piano Phase pitches played players première pulse quavers recording repetition resulting patterns rhythm rhythmic Riley's saxophone score sequence Serra solo soprano saxophone sound Steve Reich structure sub-units suggests technique Terry Riley texture Theatre of Eternal tion tonal Trio for Strings Violin Phase Well-Tuned Piano work's York