Exploring Bach's B-minor MassYo Tomita, Robin A. Leaver, Jan Smaczny Cambridge University Press, 17 oct 2013 - 320 páginas The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of Johann Sebastian Bach's life, it is considered by many to be the composer's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' at which scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they comprise a thorough and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigour for which Bach scholarship has become known. |
Índice
Catholic or Lutheran? 21 | 21 |
Bachs Missa BWV 232I in the context of Catholic Mass | 39 |
The role and significance of the polonaise in the Quoniam | 54 |
Bach Count Questenberg and | 84 |
Some observations on the formal design of Bachs Bminor | 107 |
Parallel proportions numerical structures and Harmonie | 142 |
editing Bachs Bminor | 165 |
a new source | 186 |
Haydns copy of the Bminor Mass and Mozarts Mass in C | 217 |
A really correct copy of the Mass? Mendelssohns score | 244 |
The Bminor Mass in nineteenthcentury England 267 | 267 |
an incarnation in Prague in the 1860s | 287 |
298 | |
311 | |
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Exploring Bach's B-minor Mass Yo Tomita,Robin A. Leaver,Jan Smaczny No hay ninguna vista previa disponible - 2020 |
Términos y frases comunes
Agnus Agnus Dei aria B-minor Mass Bach’s autograph score Bach’s B-minor Mass Bach’s Mass bass BDok Benedictus Berlin Breitkopf C. P. E. Bach Caeciliae cantata Catholic century choir choral chorus church composed composition concert Confiteor continuo copy copyist Credo Crucifixus D-Dl Dismas Zelenka Domine Deus Dona nobis pacem Dresden edition expecto figure final first five flute Frankfurt manuscript fugue Gloria Gratias Handel Haydn’s incarnatus instrumental issa J. S. Bach Jan Dismas Zelenka Johann Sebastian Bach Kyrie Leipzig liturgical Luther’s Lutheran major Mendelssohn minor Missa movements Mozart Musicalische Congregation musicians Musik NBA KB number of bars oboe orchestra Osanna performance polonaise Prague proportion Questenberg Quoniam reflected repertoire resurrexit Rifl<in Sancto Spiritu Sanctus Schelble significant slurs Smend solo soprano sources specifically St Cecilia St Matthew Passion St Petersburg manuscript stile antico Stockigt structure Symbolum Nicenum tollis trumpets unum Vienna Viennese vocal Wolff