Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
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Página 415
... voices , but in the inner ones , and often carried over from voice to voice or just suggested , until it becomes the imaginary rather than the real link in his harmonic chain . The sonata is strictly thematic and orthodox in form . The ...
... voices , but in the inner ones , and often carried over from voice to voice or just suggested , until it becomes the imaginary rather than the real link in his harmonic chain . The sonata is strictly thematic and orthodox in form . The ...
Página 555
... voice . For so long as there are records the singing voice has reigned in a splendid isola- tion compelling the complete subservience of all other instruments of sound in a slavery which has been dignified by the name of accompaniment ...
... voice . For so long as there are records the singing voice has reigned in a splendid isola- tion compelling the complete subservience of all other instruments of sound in a slavery which has been dignified by the name of accompaniment ...
Página 556
... voice let loose in the opera - house , where its hauteur and domination demand an atmo- sphere of such extravagance , and a worship so intense , that music is present only by ... VOICE AND CHAMBER ENSEMBLE [ 556 ] VOICE AND CHAMBER ENSEMBLE.
... voice let loose in the opera - house , where its hauteur and domination demand an atmo- sphere of such extravagance , and a worship so intense , that music is present only by ... VOICE AND CHAMBER ENSEMBLE [ 556 ] VOICE AND CHAMBER ENSEMBLE.
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote