Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
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Página 513
... tone . Every performer has been told by a listener who has unexpectedly been shown into his study that the visitor ' knew who was playing ' . The case is in my mind of a player who was repeatedly informed by friends ... TONE TONE [ 513 ]
... tone . Every performer has been told by a listener who has unexpectedly been shown into his study that the visitor ' knew who was playing ' . The case is in my mind of a player who was repeatedly informed by friends ... TONE TONE [ 513 ]
Página 514
... tone between a pianissimo on a violin produced by a short movement of the bow under light pressure , and the same degree of pianissimo produced by a long sweep of the bow under a pressure just not light enough to ... TONE TONE [ 514 ]
... tone between a pianissimo on a violin produced by a short movement of the bow under light pressure , and the same degree of pianissimo produced by a long sweep of the bow under a pressure just not light enough to ... TONE TONE [ 514 ]
Página 540
Walter Willson Cobbett. tone in which artists like Joachim never ceased to revel . He told me that he delighted espe- cially in varnish of a ruddy tinge , though he did not pretend that the tone of a red was finer than that of a yellow ...
Walter Willson Cobbett. tone in which artists like Joachim never ceased to revel . He told me that he delighted espe- cially in varnish of a ruddy tinge , though he did not pretend that the tone of a red was finer than that of a yellow ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote