Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
Dentro del libro
Resultados 1-3 de 77
Página 15
... tion ) developed and tremendously influenced the later production of chamber music , which owes so much to César Franck and Debussy . Broadly speaking , there exist nowadays ( 1928 ) two distinct schools of interpretation . The ...
... tion ) developed and tremendously influenced the later production of chamber music , which owes so much to César Franck and Debussy . Broadly speaking , there exist nowadays ( 1928 ) two distinct schools of interpretation . The ...
Página 79
... tion . His opinions do not happen to coincide with my own , for I , personally , would gladly welcome a revival of the ' poetic eloquence of the German tradition ' , but in this very fact becomes apparent the principle upon which this ...
... tion . His opinions do not happen to coincide with my own , for I , personally , would gladly welcome a revival of the ' poetic eloquence of the German tradition ' , but in this very fact becomes apparent the principle upon which this ...
Página 262
... tion ends this exquisite little piece . IV . Finale , allegro , by A. Glazounov . The main subject is practically identical with that of the first movement ; the second consists of two figures : one a new B - la - f motif , the other ...
... tion ends this exquisite little piece . IV . Finale , allegro , by A. Glazounov . The main subject is practically identical with that of the first movement ; the second consists of two figures : one a new B - la - f motif , the other ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote