Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
Dentro del libro
Resultados 1-3 de 82
Página 336
... rhythm , but the excellent developments of the first and the fervour and deep feeling of the second keep the hearer's interest alive , and make up for the lack of rhythmic variety . Rhythm comes into its own in the third move- ment , a ...
... rhythm , but the excellent developments of the first and the fervour and deep feeling of the second keep the hearer's interest alive , and make up for the lack of rhythmic variety . Rhythm comes into its own in the third move- ment , a ...
Página 398
... rhythm and the insistent pizzicati of the scherzo break the uniformity of mood which characterizes both the first movement , with its tranquil but This motif might be mistaken for the begin- ning of a trio , but is only a passing ...
... rhythm and the insistent pizzicati of the scherzo break the uniformity of mood which characterizes both the first movement , with its tranquil but This motif might be mistaken for the begin- ning of a trio , but is only a passing ...
Página 494
... rhythm combined of 6/8 and 9/8 metres , which , in this brisk tempo , gives a typically Russian rhythm -7/4 , not uncommon in native folk music and often resorted to by Borodin and Rimsky- Korsakov : Ex . 19 . Compare his Seasons for ...
... rhythm combined of 6/8 and 9/8 metres , which , in this brisk tempo , gives a typically Russian rhythm -7/4 , not uncommon in native folk music and often resorted to by Borodin and Rimsky- Korsakov : Ex . 19 . Compare his Seasons for ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote