Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
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Página 422
... opening of the movement , marked d = 76 . By what I believe to be a typographical error , it is marked J - 92 on its last appearance . It seems unlikely that the composer should wish to accelerate the tempo . The two fiery ...
... opening of the movement , marked d = 76 . By what I believe to be a typographical error , it is marked J - 92 on its last appearance . It seems unlikely that the composer should wish to accelerate the tempo . The two fiery ...
Página 583
... opening of the quar- tet , the long solo passage ( eleven bars before [ u ] ) in the last movement , and the opening phrase of the quintet . THE PHANTASY QUINTET , for two violins , two violas , and ' cello , opens with a long , sinuous ...
... opening of the quar- tet , the long solo passage ( eleven bars before [ u ] ) in the last movement , and the opening phrase of the quintet . THE PHANTASY QUINTET , for two violins , two violas , and ' cello , opens with a long , sinuous ...
Página 588
... opening theme in a kind of stretto , in which it is treated by augmentation and diminution . This is linked up with the following move- ment assez animé - in E major , the final bars of the Lied being employed as the principal subject ...
... opening theme in a kind of stretto , in which it is treated by augmentation and diminution . This is linked up with the following move- ment assez animé - in E major , the final bars of the Lied being employed as the principal subject ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote