Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
Dentro del libro
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Página 4
... given out by the viola , B , and taken up by the first violin is used for the trio . A return to the first subject is followed by a return to the second . Then comes a fugato in 6/8 tempo , the rhythm of which persists in an ...
... given out by the viola , B , and taken up by the first violin is used for the trio . A return to the first subject is followed by a return to the second . Then comes a fugato in 6/8 tempo , the rhythm of which persists in an ...
Página 205
... given continuously throughout the year by members of the club , who consist mainly , but not exclusively , of university men . The club admits to membership a few non - univer- sity men with pronounced musical proclivities -to be exact ...
... given continuously throughout the year by members of the club , who consist mainly , but not exclusively , of university men . The club admits to membership a few non - univer- sity men with pronounced musical proclivities -to be exact ...
Página 438
... given uninterruptedly every year , the season beginning in October and ending in April . During the season 1888-1889 twenty- eight concerts were given , and the programme was arranged very much as it is at the present time . It included ...
... given uninterruptedly every year , the season beginning in October and ending in April . During the season 1888-1889 twenty- eight concerts were given , and the programme was arranged very much as it is at the present time . It included ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote