Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
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Página 244
... classical language . His harmonic idiom is also founded on diatonic principles , although the taste of the con- temporary musician often compels him to complicate these simple harmonies by harsh dissonances . Eminently and typically ...
... classical language . His harmonic idiom is also founded on diatonic principles , although the taste of the con- temporary musician often compels him to complicate these simple harmonies by harsh dissonances . Eminently and typically ...
Página 440
... classical style . Yet in Spanish music neither sonata - form nor the classical style has ever really become naturalized . This statement should not be taken to imply that Haydn and Beethoven have never had Spanish admirers . Haydn , in ...
... classical style . Yet in Spanish music neither sonata - form nor the classical style has ever really become naturalized . This statement should not be taken to imply that Haydn and Beethoven have never had Spanish admirers . Haydn , in ...
Página 534
... classical master's work , however , remained un- touched thereby , and always maintained a cosmopolitan character . To none of the classic masters did Vienna give birth , but she early received them into her maternal fold , reared them ...
... classical master's work , however , remained un- touched thereby , and always maintained a cosmopolitan character . To none of the classic masters did Vienna give birth , but she early received them into her maternal fold , reared them ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote