Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
Dentro del libro
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Página 7
... begins p . 13 , line 2 ) there are several interesting episodical de- velopments , and the recapitulation itself is equally imaginative . It begins with a return to the first subject in the main key ; and after a few bars of further ...
... begins p . 13 , line 2 ) there are several interesting episodical de- velopments , and the recapitulation itself is equally imaginative . It begins with a return to the first subject in the main key ; and after a few bars of further ...
Página 122
... begins calmly with the first subject on the strings unisono ; later accompanied by the piano with an expressive contrasting melody . The rhythm gradually grows more animated , and the movement becomes more urgent , until the emotion ...
... begins calmly with the first subject on the strings unisono ; later accompanied by the piano with an expressive contrasting melody . The rhythm gradually grows more animated , and the movement becomes more urgent , until the emotion ...
Página 279
... begins its cantilena on the G string -as so often with Reger . The melody soars gradually in rich arabesques to its highest point , sinking back towards the end to its low notes a movement of great beauty . The finale is a fluent ...
... begins its cantilena on the G string -as so often with Reger . The melody soars gradually in rich arabesques to its highest point , sinking back towards the end to its low notes a movement of great beauty . The finale is a fluent ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote