Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, 1963 |
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Página 155
... Mozart recognize the string quartet as the ideal mould for cham- ber music . Later on , he reached out to the quintet , and produced works which reveal just such outstanding depth of feeling as Beethoven's later ... MOZART MOZART [ 155 ]
... Mozart recognize the string quartet as the ideal mould for cham- ber music . Later on , he reached out to the quintet , and produced works which reveal just such outstanding depth of feeling as Beethoven's later ... MOZART MOZART [ 155 ]
Página 172
... Mozart became more and more abridged ) and , above all , the introduction of the rondo finale . In K. 11 we find the French rondo form , with a single episode in the minor , and the section marked ' mineur'— a ... MOZART MOZART [ 172 ]
... Mozart became more and more abridged ) and , above all , the introduction of the rondo finale . In K. 11 we find the French rondo form , with a single episode in the minor , and the section marked ' mineur'— a ... MOZART MOZART [ 172 ]
Página 181
... Mozart's type was fundamentally different . Schiller would have called Haydn a ' naïve ' , Mozart a ' sentimental ' composer ; for while the former remained rooted in the spirit of the old régime with its logical ... MOZART MOZART [ 181 ]
... Mozart's type was fundamentally different . Schiller would have called Haydn a ' naïve ' , Mozart a ' sentimental ' composer ; for while the former remained rooted in the spirit of the old régime with its logical ... MOZART MOZART [ 181 ]
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1929 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote