(From Orion. Book I, Canto II.)
One day, at noontide, when the chase was done,
Which with unresting speed since dawn had held,
The woods were all with golden fires alive,
And heavy limbs tingled with glowing heat.
Sylvans and Fauns at full length cast them down,
And cooled their flame-red faces in the grass,
Or o'er a streamlet bent, and dipped their heads
Deep as the top hair of their pointed ears;
While Nymphs and Oceanides retired
To grots and sacred groves, with loitering steps,
And bosoms swelled and throbbing, like a bird's
Held between human hands. The hounds with tongues
Crimson, and lolling hot upon the green,
And outstretched noses, flatly crouched; their skins
Clouded or spotted, like the field-bean's flower,
Or tiger-lily, painted the wide lawns.
Orion wandered deep into a vale
Alone; from all the rest his steps he bent,
Thoughtful, yet with no object in his mind;
Languid, yet restless. Near a hazel copse,
Whose ripe nuts hung in clusters twined with grapes,
He paused, down gazing, till upon his sense
A fragrance stole, as of ambrosia wafted
Through the warm shades by some divinity
Amid the woods. With gradual step he moved
Onward, and soon the poppied entrance found
Of a secluded bower. He entered straight,
Unconsciously attracted, and beheld
His Goddess love, who slept-her robe cast off,
Her sandals, bow and quiver, thrown aside,
Yet with her hair still braided, and her brow
Decked with her crescent light. Awed and alarmed
By loving reverence—which dreads offence
E'en though the wrong were never known, and feels
Its heart's religion for religion's self,
Besides its object's claim-swift he retired,
The entrance gain'd, what thoughts, what visions his!
What danger had he 'scaped, what innocent crime,
Which Artemis might yet have felt so deep!
He blest the God of Sleep who thus had held
Her senses! Yet, what loveliness had glanced
Before his mind-scarce seen! Might it not be
Illusion?—some bright shadow of a hope
First dawning? Would not sleep's God still exert
Safe influence, if he once more stole back
And gazed an instant? 'Twere not well to do,
And would o'erstain with doubt the accident
Which first had led him there. He dare not risk
The chance 'twere not illusion-oh, if true!
While thus he murmured hesitating, slow,
As slow and hesitating he returned
Instinctively, and on the Goddess gazed!
With adoration and delicious fear,
Lingering he stood; then pace by pace retired,
Till in the hazel copse sighing he paused,
And with most earnest face, and vacant eye,
And brow perplexed, stared at a tree. His hands
Were clenched; his burning feet pressed down the soil, And changed their place. Suddenly he turned round, And made his way direct into the bower.
There was a slumb'rous silence in the air,
By noon-tide's sultry murmurs from without
Made more oblivious. Not a pipe was heard
From field or wood; but the grave beetle's drone
Passed near the entrance; once the cuckoo called
O'er distant meads, and once a horn began
Melodious plaint, then died away. A sound
Of murmurous music yet was in the breeze,
For silver gnats that harp on glassy strings,
And rise and fall in sparkling clouds, sustained
Their dizzy dances o'er the seething meads.
With brain as dizzy stood Orion now
I' the quivering bower. There rapturous he beheld,
As in a trance, not conscious of himself,
The perfect sculpture of that naked form,
Whose Parian whiteness and clear outline gleamed
In its own hue, nor from the foliage took
One tint, nor from his ample frame one shade.
Her lovely hair hung drooping, half unbound,—
Fair silken braids, fawn-tinted delicately,
That on one shoulder lodge their opening coil.
Her large round arms of dazzling beauty lay
In matchless symmetry and inviolate grace,
Along the mossy floor. At length he dropped
Softly upon his knees, his clasped hands raised
Above his head, till by resistless impulse
His arms descending, were expanded wide-
Swift as a flash, erect the Goddess rose !
Her eyes shot through Orion, and he felt
Within his breast an icy dart. Confronted,
Mutely they stood, but all the bower was filled
With rising mist that chilled him to the bone,
Colder, as more obscure the space became ;
And ere the last collected shape he saw
Of Artemis, dispersing fast amid
Dense vapoury clouds, the aching wintriness
Had risen to his teeth, and fixed his eyes,
Like glistening stones in the congealing air.
Above yon sombre swell of land
Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
And over that a vein of blue.
The air is cold above the woods;
All silent is the earth and sky,
Except with his own lonely moods
The blackbird holds a colloquy.
1 Published only in the 1875 reprint of Cosmo de' Medici.
Over the broad hill creeps a beam,
Like hope that gilds a good man's brow;
And now ascends the nostril-stream
Of stalwart horses come to plough.
Ye rigid Ploughman, bear in mind
Your labour is for future hours:
Advance-spare not-nor look behind-
Plough deep and straight with all your powers.
[JOHN HENRY NEWMAN, the eldest son of a banker, John Newman, was born in London in 1801. Educated privately, and at Trinity College, Oxford, where he graduated in 1820. Elected Fellow of Oriel, April 12, 1822, to be joined next year by E. B. Pusey, while other Fellows during his terms were Hawkins, Whately, Keble, and Hurrell Froude. He was ordained a clergyman of the Church of England in 1824, and nine years later he and his friends published the (Anglican) Tracts for the Times. These were the printed expression of the so-called 'Oxford Movement;' but in October 1845, having two years earlier resigned the Vicarage of St. Mary's, Newman was received into the Church of Rome. His Apologia pro vita sua was published in 1864, and many other works of Catholic theology, &c., preceded and followed it. In 1878 Pope Leo XIII made him a Cardinal on representations made by leading English Catholics, lay and clerical. In 1890 he died at the Edgbaston Oratory, where he had lived since 1859. He published anonymously, from 1834 onwards, many religious poems, most of which were in 1868 collected in Verses on Various Occasions; and two years before (1866) there appeared his one long poem, The Dream of Gerontius.]
It is remarkable that whereas the work of Cardinal Newman's long life survives in some of the noblest prose in English literature, he is chiefly known wherever the English language is spoken as the author of one short and of one long poem-Lead, Kindly Light and The Dream of Gerontius. There can be no doubt that the popular choice of these two poems from among the slender output of the Verses on Various Occasions is justified, and that they are the finest among them. The Pillar of the Cloud, now universally called Lead, Kindly Light, belongs to the group of seventy poems written during his seven months journey, to the Mediterranean (1832-33)—that is, considerably more than half of the original poems produced in a life of nearly ninety years. Throughout this journey evidently his imagination was undergoing one of those sudden expansions of which he loved to analyse the psychological effects in later days. The best of his short poems were written then, including two studies in the style of the tragic Greek chorus-The Elements and The Jewish Race, of which Mr. R. H. Hutton wrote that 'For grandeur
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