The CIA and the Congress for Cultural Freedom in the Early Cold War: The Limits of Making Common Cause

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Routledge, 5 ago. 2016 - 208 páginas

This book questions the conventional wisdom about one of the most controversial episodes in the Cold War, and tells the story of the CIA's backing of the Congress for Cultural Freedom.

For nearly two decades during the early Cold War, the CIA secretly sponsored some of the world’s most feted writers, philosophers, and scientists as part of a campaign to prevent Communism from regaining a foothold in Western Europe and from spreading to Asia. By backing the Congress for Cultural Freedom, the CIA subsidized dozens of prominent magazines, global congresses, annual seminars, and artistic festivals. When this operation (QKOPERA) became public in 1967, it ignited one of the most damaging scandals in CIA history. Ever since then, many accounts have argued that the CIA manipulated a generation of intellectuals into lending their names to pro-American, anti-Communist ideas. Others have suggested a more nuanced picture of the relationship between the Congress and the CIA, with intellectuals sometimes resisting the CIA's bidding. Very few accounts, however, have examined the man who held the Congress together: Michael Josselson, the Congress’s indispensable manager—and, secretly, a long time CIA agent. This book fills that gap. Using a wealth of archival research and interviews with many of the figures associated with the Congress, this book sheds new light on how the Congress came into existence and functioned, both as a magnet for prominent intellectuals and as a CIA operation.

This book will be of much interest to students of the CIA, Cold War History, intelligence studies, US foreign policy and International Relations in general.

 

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Índice

List of figures Preface
Acknowledgments
Introduction
the early years
from Communism to antiCommunism
The outbreak of ideological hostilities
From the Waldorf to Paris
Josselson joins the Agency
Berlin 1950
Josselson and the Congress in transition
James Burnhams rival 9 The CIA and the nonCommunist left
The 1952 Paris Festival
the Congresss greatest asset
New management at the Agency
The 1955 Milan Congress and the end of ideology

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Términos y frases comunes

Sobre el autor (2016)

Sarah Miller Harris is a lawyer and has a PhD in International Relations from the University of Cambridge, UK.

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