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I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him with a recommendatory copy of verses, containing more incense to the King, and my Lord Bute, than the magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called "The Wishes, or Harlequin's Mouth Opened." A bank-note of two hundred pounds was sent from the treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo, as I am going to tell you, was dozing, the two chief justices, and Lord B. Bubo read the play himself, "with handkerchief and orange by his side." But the curious part is a prologue, which I never saw. It represents the god of verse fast asleep by the side of Helicon: the race of modern bards try to wake him, but the more they repeat their works, the louder he snores. At last "Ruin seize thee, ruthless King!" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr. Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one by the choice of his friend. Foote refused to act this prologue, and said it was too strong. "Indeed," said Augustus's friend, "I think it is." They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible is, that the comely young author appears every night in the Mall in a milk-white coat with a blue cape, disclaims any benefit, and says he has done

This piece, founded on Fontaine's "Trois Souhaits," was written in imitation of the Italian comedy; Harlequin, Pantaloon, Columbine, &c. being introduced into it as speaking characters. "Many parts of it," says the Biographia Dramatica, "exhibit very just satire and solid sense, and give evident testimony of the author's learning, knowledge, understanding, and critical judgment; yet the deficiency of incident which appears in it, as well as of that lively kind of wit which is one of the essentials of perfect comedy, seem, in great measure, to justify that coldness with which the piece was received by the town."-E.

with the play now it is out of his own hands, and that Mrs. Hannah Clio, alias Bentley, writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going — to

court.

You will smile when I tell you that t'other day a party went to Westminster Abbey, and among the rest saw the ragged regiment. They inquired the names of the figures. "I don't know them," said the man, "but if Mr. Walpole was here he could tell you every one." Adieu! I expect Mr. John and you with impatience.

TO GEORGE MONTAGU, ESQ.

Strawberry Hill, July 5, 1761.

You are a pretty sort of a person to come to one's house and get sick, only to have an excuse for not returning to it. Your departure is so abrupt, that I don't know but I may expect to find that Mrs. Jane Truebridge, whom you commend so much, and call Mrs. Mary, will prove Mrs. Hannah. Mrs. Clive is still more disappointed; she had proposed to play at quadrille with you from dinner till supper, and to sing old Purcell to you from supper to breakfast next morning. If you cannot trust yourself from Greatworth for a whole fortnight, how will you do in Ireland for six months? Remember all my preachments, and never be in spirits at supper. Seriously I am sorry you are out of order, but am alarmed for you at Dublin, and though all the bench of bishops should quaver Purcell's hymns, don't let them warble you into a pint of wine. I wish you were going among catholic prelates, who would deny you the cup. Think of me and resist temptation. Adieu!

1 Dr. Burney tells us, that Mrs. Clive's singing, "which was intolerable when she meant to be fine, in ballad-farces and songs of humour, was, like her comic acting, everything it should be."—E.

TO THE EARL OF STRAFFORD.

MY DEAR LORD,

Strawberry Hill, July 5, 1761.

I CANNOT live at Twickenham and not think of you: I have long wanted to write, and had nothing to tell you. My Lady D. seems to have lost her sting; she has neither blown up a house nor a quarrel since you departed. Her wall, contiguous to you, is built, but so precipitate and slanting, that it seems hurrying to take water. I hear she grows sick of her undertakings. We have been ruined by deluges; all the country was under water. Lord Holderness's new fossé was beaten in for several yards: this tempest was a little beyond the dew of Hermon, that fell on the Hill of Sion. I have been in still more danger by water: my parroquet was on my shoulder as I was feeding my gold-fish, and flew into the middle of the pond: I was very near being the Nouvelle Eloise, and tumbling in after him; but with much ado I ferried him out with my hat.

Lord Edgecumbe has had a fit of apoplexy; your brother Charles a bad return of his old complaint; and Lord Melcombe has tumbled down the kitchen stairs, and waked himself.

London is a desert; no soul in it but the King. Bussy has taken a temporary house. The world talks of peace would I could believe it! every newspaper frightens me: Mr. Conway would be very angry if he knew how I dread the very name of the Prince de Soubise.

We begin to perceive the tower of Kew3 from Montpellier Row; in a fortnight you will see it in Yorkshire.

The apostle Whitfield is come to some shame: he went to Lady Huntingdon lately, and asked for forty pounds for some distressed saint or other. She said she had not so

'At Sion-hill, near Brentford.

2 Charles Townshend, married to Lady Greenwich, eldest sister to Lady Strafford.

The pagoda in the royal garden at Kew.

much money in the house, but would give it him the first time she had. He was very pressing, but in vain. At last he said, "There's your watch and trinkets, you don't want such vanities; I will have that." She would have put him off; but he persisting, she said, "Well, if you must have it, you must." About a fortnight afterwards, going to his house, and being carried into his wife's chamber, among the paraphernalia of the latter the Countess found her own offering. This has made a terrible schism: she tells the story herself I had not it from Saint Frances,1 but I hope it is true. Adieu, my dear lord!

P. S. My gallery sends its humble duty to your new front, and all my creatures beg their respects to my lady.

TO THE HON. H. S. CONWAY.

Arlington Street, July 14, 1761.

My dearest Harry, how could you write me such a cold letter as I have just received from you, and beginning Dear sir! Can you be angry with me, for can I be in fault to you? Blameable in ten thousand other respects, may not I almost say I am perfect with regard to you? Since I was fifteen have not I loved you unalterably? Since I was capable of knowing your merit, has not my admiration been veneration? For what could so much affection and esteem change? Have not your honour, your interest, your safety been ever my first objects? Oh, Harry! if you knew what I have felt and am feeling about you, would you charge me with neglect? If I have seen a person since you went, to whom my first question has not been, "What do you hear of the peace?" you would have reason to blame me. You say I write very seldom: I will tell you what, I should almost be sorry to have you see the anxiety I have expressed about you in letters to everybody else. No; I must except Lady Ailesbury, and there is not another on earth who loves you so well and is so attentive to whatever relates to you.

1 Lady Frances Shirley.

With regard to writing, this is exactly the case: I had nothing to tell you; nothing has happened; and where you are, I was cautious of writing. Having neither hopes nor fears, I always write the thoughts of the moment, and even laugh to divert the person I am writing to, without any ill will on the subjects I mention. But in your situation that frankness might be prejudicial to you: and to write grave unmeaning letters, I trusted you was too secure of me either to like them or desire them. I knew no news, nor could I: I have lived quite alone at Strawberry; am connected with no court, ministers, or party; consequently heard nothing, and events there have been none. I have not even for this month heard my Lady Townshend's extempore gazette. All the morning I play with my workmen or animals, go regularly every evening to the meadows with Mrs. Clive, or sit with my Lady Suffolk, and at night scribble my Painters - What a journal to send you! I write more trifling letters than any man living; am ashamed of them, and yet they are expected of me. You, my Lady Ailesbury, your brother, Sir Horace Mann, George Montagu, Lord Strafford all expect I should write- Of what? I live less and less in the world, care for it less and less, and yet am thus obliged to inquire what it is doing. Do make these allowances for me, and remember half your letters go to my Lady Ailesbury. I writ to her of the King's marriage, concluding she would send it to you: tiresome as it would be, I will copy my own letters, if you expect it; for I will do anything rather than disoblige you. I will send you a diary of the Duke of York's balls and Ranelaghs, inform you of how many children my Lady Berkeley is with child, and how many races my nephew goes to. No; I will not, you do not want such proofs of my friendship.

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The papers tell us you are retiring, and I was glad. You seem to expect an action - Can this give me spirits? Can I write to you joyfully, and fear? Or is it fit Prince Ferdinand should know you have a friend that is as great a coward about you as your wife? The only reason for my silence, that can not be true, is, that I forget you. When I am

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