Progressive Exercises in Rhetorical Reading ...1857 - 136 páginas |
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... tone , modu- lation , and inflexion of the voice . If the teacher can induce the pupil to inflect his voice at all , he will find little difficulty in teaching him to modulate it rightly . Nature directs every one in this , in common ...
... tone , modu- lation , and inflexion of the voice . If the teacher can induce the pupil to inflect his voice at all , he will find little difficulty in teaching him to modulate it rightly . Nature directs every one in this , in common ...
Página 23
... tone of voice than the other parts of the sentence in which it stands . Sometimes a sentence is enclosed in marks like these [ ] which are called Brackets . * Sentences which are included within Brackets , should gene- rally be read ...
... tone of voice than the other parts of the sentence in which it stands . Sometimes a sentence is enclosed in marks like these [ ] which are called Brackets . * Sentences which are included within Brackets , should gene- rally be read ...
Página 42
... . - To swallow . Serrate . - Marked like the teeth of a saw . $$ Decalogue . - The Ten Commandments . Aviary . - A place enclosed to keep birds in . LESSON XXII . ACCENT . Accent is the peculiar tone 42 PROGRESSIVE EXERCISES.
... . - To swallow . Serrate . - Marked like the teeth of a saw . $$ Decalogue . - The Ten Commandments . Aviary . - A place enclosed to keep birds in . LESSON XXII . ACCENT . Accent is the peculiar tone 42 PROGRESSIVE EXERCISES.
Página 43
Richard Greene Parker. LESSON XXII . ACCENT . Accent is the peculiar tone or force given to some letter or syllable of a word . There are three accents , the Acute , the Grave , and the Circumflex . The Acute accent is noted by a mark ...
Richard Greene Parker. LESSON XXII . ACCENT . Accent is the peculiar tone or force given to some letter or syllable of a word . There are three accents , the Acute , the Grave , and the Circumflex . The Acute accent is noted by a mark ...
Página 59
... tones which nature teaches him to use in common conversation , or when he is affected by strong feelings . Thus if he have such a sentence as the following to read : " Sirrah , savage , dost thou pretend to be ashamed of my company ...
... tones which nature teaches him to use in common conversation , or when he is affected by strong feelings . Thus if he have such a sentence as the following to read : " Sirrah , savage , dost thou pretend to be ashamed of my company ...
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Términos y frases comunes
A.M. Published accent acute accent Ahn's American lion Apostrophe Arrack art thou bless breath Brutus Cæsar called canst thou renounce Casura Catiline cloud comma Crotchets crystal light Dash is sometimes death Diaresis dread Dryden earth Ellipsis emphasis eternal EXAMPLES exclamation eyes falling inflection father following sentences friends give glory grave grave accent hair hath hear heard heart heaven honour hour human Hyphen interrogation point king Lahairoi lesson light lion look loud manner mark This mark measure of speech mind nature Nemean lion never night o'er Obelisk parenthesis pause placed poetry Pope Progressive Exercises pronounce prose pupil Questions for Examination R. G. PARKER rising inflection School Treatise semicolon silent Slur soul sound speak spirit Stymphalian birds syllable thee thine thing thou art Thracian throne tion to-day tone unaccented unto utterance voice suspended word Δ Δ
Pasajes populares
Página 130 - Never, never more shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart, which kept alive, even in servitude itself, the spirit of an exalted freedom.
Página 24 - I would not enter on my list of friends (Though graced with polished manners and fine sense Yet wanting sensibility) the man Who needlessly sets foot upon a worm.
Página 135 - Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies: She drew an angel down.
Página 116 - We have no slaves at home — then why abroad ? And they themselves once ferried o'er the wave That parts us, are emancipate and loosed. Slaves cannot breathe in England ; if their lungs Receive our air, that moment they are free ; They touch our country, and their shackles fall.
Página 63 - And, ever and anon, he beat The doubling drum, with furious heat ; And though sometimes, each dreary pause between, Dejected Pity, at his side, Her soul-subduing voice applied, Yet still he kept his wild unaltered mien, While each strained ball of sight seemed bursting from his head.
Página 110 - O, THOU ETERNAL ONE ! whose presence bright All space doth occupy, all motion guide ; Unchanged through time's all-devastating flight ; Thou only God ! There is no God beside ! Being above all beings ! Mighty One Whom none can comprehend and none explore...
Página 33 - In thoughts from the visions of the night, when deep sleep falleth on men, fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face ; the hair of my flesh stood up.
Página 115 - Looking tranquillity ! It strikes an awe And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chilness to my trembling heart.
Página 136 - I call upon the honour of your lordships to reverence the dignity of your ancestors, and to maintain your own. I call upon the spirit and humanity of my country to vindicate the national character.
Página 126 - The style of Dryden is capricious and varied; that of Pope is cautious and uniform. Dryden obeys the motions of his own mind. Pope constrains his mind to his own rules of composition.