The Musical Basis of Verse: A Scienctific Study of the Principles of Poetic CompositionAMS Press, 1970 - 269 páginas |
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Página 55
... lines do not balance well set against very short ones ; also , that lines of an uneven number of measures balance each other better than alternations of even and uneven . Thus a line of five measures naturally calls for an alter- nating ...
... lines do not balance well set against very short ones ; also , that lines of an uneven number of measures balance each other better than alternations of even and uneven . Thus a line of five measures naturally calls for an alter- nating ...
Página 75
... lines a body of sound not much less than that of the first and third ; but in Tennyson's stanza , the fall in the fourth line is complete ; the body of sound in the second and fourth lines is not nearly sufficient to balance that in the ...
... lines a body of sound not much less than that of the first and third ; but in Tennyson's stanza , the fall in the fourth line is complete ; the body of sound in the second and fourth lines is not nearly sufficient to balance that in the ...
Página 104
... line . If rhyme exist in previous lines and not in the last , the ear will not receive an impres- sion of tonal finish . Thus if the foregoing balance of a stanza lies in last line stanza stood as follows : " Once more the gate behind ...
... line . If rhyme exist in previous lines and not in the last , the ear will not receive an impres- sion of tonal finish . Thus if the foregoing balance of a stanza lies in last line stanza stood as follows : " Once more the gate behind ...
Otras ediciones - Ver todo
The Musical Basis of Verse: A Scientific Study of the Principles of Poetic ... Julia Parker Dabney Vista de fragmentos - 1968 |
Términos y frases comunes
3-beat rhythm accent alliteration anacrusis artist ballad beat beauty blank verse Browning Browning's Byron cadence cæsura called century chap Chaucer chord classic consonant dactylic dactylic hexameter Dante direct attack drama effects end-stopped English Verse enjambement epic EXAMPLE OF 3-BEAT expression eyes feminine ending five-foot iambic genius give Greek hand harmonious heart HIRAM CORSON imitated instinct language Lanier lines literature lyric measure medium melody ment metre metrists Milton monosyllables motion movement music and verse nature never night o'er Oriana ottava rima Paradise Lost passion pause perfect PIP PIP play poem poetic poetry poets prose quatrain rhymed couplet rhythmic says seems sestet Shakespeare Shelley sing song sonnet soul sound Spenser Spenserian stanza spirit stanza sweet syllables Tennyson tercets thee thou thought time-value tion tonal tone triple rhythm true vibration voice vowel wind words Wordsworth م م مام रा